The best Sigrid Thornton’s movies

After capturing Claw, all the criminals have gone into hiding until, Claw escapes! Gadget thinks he will get the case, but everyone else has other planes. A new version of the Gadget project is unveiled in the form of G2. Strict orders are given for Gadget to stay away from G2 and every crime scene, but Gadget feels he is needed more than anyone.

Jim Craig has lived his first 18 years in the mountains of Australia on his father's farm. The death of his father forces him to go to the low lands to earn enough money to get the farm back on its feet. Kirk Douglas plays two roles as twin brothers who haven't spoken for years, one of whom was Jim's father's best friend and the other of whom is the father of the girl he wants to marry.

Palestine, 1917. The British advance has been stopped by the Turkish line running from Gaza to Beersheba. The latest attack on Gaza has failed. The attacking forces included a regiment of Australian mounted infantry, the Light Horse... Lighthorseman Frank is wounded in a skirmish with Bedouin. He is replaced by a young soldier, Dave, who proves to be a crack shot, but reluctant to fire at the enemy. Dave proves himself during a German biplane attack. Recuperating in hospital, he meets a sympathetic nurse, Anne... The regiment is called upon for a bold flanking attack on Beersheba. But how do you convince the Turks the main attack will come at Gaza? And how do you attack across a desert without water?

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

After a few years trying to earn money to marry Jessica Harrison, Jim Craig returns to Snowy River. But he finds that a lot of things have changed.

Kat receives a weekend at a couples retreat as a gift from her mother, even though she and her boyfriend had broken up six month prior. Kat's friend Samantha proposes that they pretend to be a couple and go there anyway.

Popular prank TV show, Scare Campaign, has been entertaining audiences for the last 5 years with its mix of old school scares and hidden camera fun. But as we enter a new age of online TV the producers find themselves up against a new hard edged web series which makes their show look decidedly quaint. It's time to up the ante, but will the team go too far this time, and are they about to prank the wrong guy?

A young hairdresser enters into the modeling world while fearing retaliation from her puritanical mother and stalker ex-boyfriend.

A compelling personal journey with David Stratton, as he relates the fascinating development of our cinema history. David guides us from his boyhood cinema experience of Australia in England, where he saw the first images of this strange and exotic landscape via the medium of film, to his migration to Australia as a ‘ten pound pom’ in 1963 and onto his present day reflections on the iconic themes that run through our cinematic legacy. All of this reflects a passionate engagement in a uniquely Australian medium. Parallel and at the heart of the series is the story of an industry whose growing pains David has witnessed over a lifetime. Alongside David, the protagonists of this history are the giants of Australian cinema – both behind the camera and in front of it.

The Getting of Wisdom is based on the 1910 novel by Henry Handel Richardson (born Ethel Florence Lindesay Richardson). Her novel is thought to be an account of her own schooldays at the Presbyterian Ladies College in Melbourne. The film is about a young girl, Laura Tweedle-Rambotham who grew up in the outback, and at around the age of 14, is sent off by her poor mother who has scrimped and saved for her to go to a prestigious women’s private college in Melbourne, the Presbyterian Ladies College.

Face to Face is adapted from David Williamson's play of the same name which is in turn based on the transcripts from real conflict resolution sessions. The story is about a young scaffold construction worker who is charged with assaulting his boss. By the end of the film, all our assumptions about guilt and blame are turned on their heads. As 10 people sit in a room discussing the turn of events that brought our protagonist to breaking point, twists and surprises reveal that all is not quite as simple as it seems. Michael Rymer directs his screen adaptation of 'Face to Face' (written by Australian playwright David Williamson), as an ensemble piece about 10 very dissimilar Australians bound together by a complex pattern of relationships and shared histories. Hysterically funny and deeply moving, each character's role in the drama peels back another layer as the story digs down to the roots of who these people really are.

Vinnie is a teenage boy who is an outcast at school, alienating teachers and students alike. He is a local courier for the local Mafia boss. He lives in welfare housing with his mother (Peta Toppano), a young brother and sister, and his Mum's lover who he can't stand. Vinnie takes out his aggression with the world practicing boxing at the local gym. He is haunted by images of his father (when just a boy he witnessed his father's murder) and his father's boxing career. His music teacher (Sandy Gore) encourages him to get involved as a drummer with the school band, and his girlfriend Gloria (Sigrid Thornton) and others influence him to stay away from the Mafia.

In the 1880s, Jack Grant, a young Englishman, has been sent by his parents to make a new life in the pioneering colony of Western Australia.