The best Steve Bisley’s movies
If you love cinema, you will share this ranking of the best Steve Bisley’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Steve Bisley.
Mad Max
6.8/10
In the ravaged near future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face ofa police force hell-bent on stopping them. But they underestimate one officer: Max Rockatansky. And when the bikers brutalize Max's best friend and family, they send him into a mad frenzy that leaves him with only one thing left in the world to live for – revenge!
The Great Gatsby
7.2/10
An adaptation of F. Scott Fitzgerald's Long Island-set novel, where Midwesterner Nick Carraway is lured into the lavish world of his neighbor, Jay Gatsby. Soon enough, however, Carraway will see through the cracks of Gatsby's nouveau riche existence, where obsession, madness, and tragedy await.
Boar
5.1/10
In the harsh, yet beautiful Australian outback lives a beast, an animal of staggering size, with a ruthless, driving need for blood and destruction. It cares for none, defends its territory with brutal force, and kills with a raw, animalistic savagery unlike any have seen before.
Red Hill
6.3/10
Young police officer Shane Cooper's first day on duty, after relocating to the small town of Red Hill, rapidly turns into a nightmare. News of a prison break, involving convicted murderer Jimmy Conway, sends the local law enforcement officers - led by the town's ruling presence, Old Bill - into a panic and leads to a terrifying and bloody confrontation.
Not Quite Hollywood
7.6/10
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
The Chain Reaction
5.3/10
Contaminated by a nuclear-plant spill, an Australian worker hides with a woman and tries to warn the public.
Jack Irish: Bad Debts
6.8/10
Jack Irish is a man getting his life back together again. A former criminal lawyer whose world imploded, he now spends his days as a part-time investigator, debt collector, apprentice cabinet maker, punter and sometime lover - the complete man really. Jack is an expert in finding those who don't want to be found - dead or alive. He helps out his mates while avoiding the past. That is until the past finds him.
The View from Greenhaven
7.2/10
A grumpy old man living in an idyllic coastal town who can't see he has the perfect life.
Squizzy Taylor
5.8/10
This Australian crime drama chronicles the life of notorious, keen witted, acid tongued 1920s Melbourne gangster Squizzy Taylor. Wormy and diminutive, yet cunning and determined small-time hoodlum Squizzy Taylor rises to prominence and popularity in Melbourne, Australia in the 1920's. Squizzy romances brash moll Dolly and works for bookie Henry Stokes before branching out on his own while being hounded by the police and courted by the press the whole time.
The Madness of Max
7.5/10
The Madness of Max is a feature-length documentary on the making of arguably the most influential movie of the past thirty years. With over forty cast-and-crew interviews, hundreds of behind-the-scenes photographs and never-before-seen film footage of the shoot, this is without a doubt the last word on Mad Max (1979).Interviews include: George Miller, Byron Kennedy, Mel Gibson, Hugh Keays-Byrne, Steve Bisley, Roger Ward, Joanne Samuel, David Eggby, Jon Dowding and many more. From the Producers to the Bike Designers to the Traffic Stoppers, this is the story of how Mad Max was made.
Summer City
3.9/10
Four friends take a road trip to kick back, hit the pubs, and go surfing. Tension builds among the group between Sandy, a quiet young man who is angered by the obnoxious, womanizing Boo who seduces a teenaged girl while on their trip in one of his usual one night stands. Meanwhile, the girl's psychotic dad is also looking for Boo out of revenge for what he did to his daughter. Boo is in for a major wake up call.
Fast Talking
6.2/10
A bright young teenager from a broken home uses his quick wits and glib tongue to get out of trouble - but they also get him into it.
The Big Steal
6.8/10
Danny wants two things in life more than anything else, one is a Jaguar and the other is Joanna Johnson. After Danny is conned into trading his Nissan Cedric for a 1973 Jaguar, he plots to win Joanna and get revenge against the sleazy car dealer Gordon Farkes.
The Highest Honour
6.5/10
After a highly successful raid on Singapore Harbour, soldiers of Z Special Unit lead a new expedition in Singapore, with disastrous results.
I Love You Too
6/10
Written by comedian Peter Helliar, I LOVE YOU TOO stars Brendan Cowell as Jim, a 30-something emotionally stunted man whose inability to declare his love to his girlfriend, Alice, threatens to cost him the best thing he ever had but leads him to befriend a talented dwarf who helps him find the words to get her back.
Subdivision
5.4/10
Based on the change a rapidly growing town faces when southern developers take over.
Two Friends
6.3/10
The story of the end of a friendship between two teenage girls, told backwards over the course of nine months.
Hard Knuckle
5.6/10
A Post-apocalypse thriller about snooker
The Brush-Off
6.9/10
The political adviser to Australia's Minister of the Arts investigates the suspicious death of a disgruntled artist.
Silver City
6.4/10
After World War II, 4,000 Polish families came to Australia. They were Jews, Fascists, anti-Communists, and others dispossessed. In a large hostel, where even married men and women were housed in separate barracks, the adults lived for two years while they worked off the government's payment of their passage. Even though he is married to Anna and has a son, Julian falls in love with Nina and she with him. As they and others face the new situations and prejudices that await immigrants and as they take on aspects of Australian culture, old-country values reassert themselves. Julian decides what to do about love and family, and Nina must find a way to move on.
