The best Shohei Uno’s drama movies

In 37 Seconds, 23-year-old comic book artist Yuma, physically disabled due to profound cerebral palsy and emotionally stunted by her well-meaning but overly protective mother, forges her own unusual path to sexual awakening and independence while at the same time discovering love and forgiveness.

17-year-old run-away Yui and 8-year-old Hiyori, who lost her family and her voice, have no place to go when they run into Kiwa, a strange old lady. She offers them a place to stay, in a slightly banged-up old house overlooking the sea, a Mayoiga. Despite joining Kiwa on a whim, the two girls find comfort in Mayoiga, a legendary house, said to look after lost travelers, and the warm hospitality of Kiwa. Both girls' damaged hearts begin to heal little by little. Until one day, a variety of strange beings, which Kiwa calls "Fushigitto", begin popping up around the house…

Majime, an eccentric man in publishing company, who has unique ability of words, joins the team that will compile a new dictionary, ‘The Great Passage.’ In the eclectic team, he becomes immersed in the world of dictionaries. But the team is overwhelmed with problems. Will ‘The Great Passage’ ever be completed?

When people finish their day and hurry home, his day starts. His diner is open from midnight to seven in the morning. Pork, miso soup combo, beer, sake and shochu is all that he has on his menu. Nevertheless, he makes whatever his customers request as long as he has the ingredients for it.

The year is 1987 and Japan is just reaching the peak of its economic success. Eighteen-year old Yonosuke Yokomichi arrives in Tokyo from Nagasaki. Ordinary in every way possible, he lives in a suburb far from the excitement of the big city and commutes to a university in the center of Tokyo.

Every night, Master (Kaoru Kobayashi) is busy with customers at the restaurant he runs. He has a worried face, looking at the funerary urn which someone left at his restaurant. His customers also talk about the funerary urn.

A drama that presents a lively depiction of a woman plagued with unexplainable hearing problems who begins to look at herself in a new light when she starts working at an ear-cleaning parlor. Using ears as a motif, director Horiuchi Hiroshi delicately evokes emotional changes within young people. As the result of a disaster, Ena (Sakuragi Rina) ends up breaking up with her lover and even suffers the cancelation of a promise of work. As she begins to be troubled from ongoing hearing loss of unknown cause, she finds a job at an ear-cleaning parlor through an old friend. Then one day Ena is reunited with Yoshinobu (Nakata Akira), who is drawn to her beautiful ears.

After the Great Kanto earthquake in 1923, a troupe of female sumo wrestlers arrive in Tokyo.

This enticing period melodrama depicts a long-suffering woman's relationship with her brilliant but self-destructive writer husband in postwar Tokyo. Based on a semi-autobiographical 1947 novel by Osamu Dazai, the story centers less on the womanizing, heavy-drinking, suicidal hero than on the wife who loves him. Written by Palm Springs International Film Festival

Ito Soma has talent for playing Tsugaru-shamisen. The music is native to Aomori Prefecture and involves the traditional folk instrument Tsugaru-shamisen, which is a plucked three-string instrument. Ito Soma learned to play Tsugaru-shamisen from her now deceased mother. Due to her strong Tsugaru dialect and her shy personality, she has a hard time playing in public and also experiences difficulty in social settings. She doesn't have any friends. To change herself, Ito Soma begins a part-time job at a maid cafe.

Saki's father is an alcoholic and her mother is a follower of a new religion. She sees her father's strange behavior and her mother's loneliness. Her family is collapsing, but Saki struggles to look for her future.

Set in the 1970's in the Kansai region of Japan.. Yong-Gil is Korean, but he moved to Japan and settled down. He runs a small restaurant named Yakiniku Dragon. He is married and has three daughters: oldest daughter Jung-Hwa, middle daughter Yi-Hwa and youngest daughter Mi-Hwa. Oldest daughter Jung-Hwa is dating Tetsuo, but they break up. Middle daughter Yi-Hwa loves Tetsuo and marries him, but Tetsuo still loves her older sister and they divorce. Youngest daughter Mi-Hwa wants to become a singer, but she is in love with a married man.

Struggling scriptwriter Gota Yanagida and his wife Chika have been married for ten years and live with their daughter Aki. Gota suffers in his sexless marriage and tries to make his wife happy every day, but Chika is cold to him because he earns no money. One day, Gota is approached by a film producer about his story of “a high school girl who makes udon noodles at a tremendous speed.” He needs to go to Kagawa to write the screenplay and proposes a family trip there, and Chika reluctantly joins. However, a different film project has already been decided.

Agawa Kayo works as a probation officer and faces a heinous crime taking place.

The story centers on Kinuko who lives together with her granddaughter Nagisa in the house she once shared with her late husband and where she raised her children. On a spring morning, on the important 49th day after her husband’s passing, the goldfish he had been taking care of suddenly dies. Kinuko wraps its body in camellia flowers and buries it in the garden. She spends her day thinking of the past, cherishing her memories and trivial events. The financial burden of taking care of the house and the garden is becoming too heavy for her and she now faces the logical decision of selling the place…

Toko grew up unloved by her mother Mizuho who continues to adore her deceased son. She lives alone in an apartment the electricity has been cut off and the trash is piling up. One late night, Toko enters a gloomy building in order to escape from a threatening stalker, Tomita. There she finds a handgun. She brings it back home and confirms it is loaded with four bullets. One day, the family living next door who have already been enduring poverty and violence end up murdering a man. Toko helps them bury the man's body, shooting it with the handgun. Toko becomes captivated by the gun itself. She is further entangled in the true circumstances of the incident due to the detective searching for the handgun and a suspicious man Kazunari who knows a secret about the handgun. Toko tries to throw herself into the whirlpool but then the lid is blown off her "past."

Kazumichi Tsuji is a bored office worker in questionable relationships with two women at work. One day he meets the intriguing Ukiyo Hayama at a convenience store. However, having her in his life brings nothing but trouble.

Takuji Kameoka is a 37-year-old bachelor whose occupation is a “miscellaneous actor”. His only interest is drinking. One day he falls in love and his boring life begins to change. The film is based on the book “Actor, Takuji Kameoka” by Akito Inui, a five-time nominee for Japan’s most prestigious literary prize, the Akutagawa Prize. Satoko Yokohama, a much-admired up-and-coming newcomer, directs the film and we can immediately tell that she is a special talent, with a unique understanding that flows through to her actors and crew.

In 1987, frustrated junior high student Takashi hates his uncool father hanging around their suburban home all the time, and is pestered by the area’s wannabe gangsters. But he’s interested in the girl next door, the bounteously-breasted Megumi. One day, Takashi hears a rumor that porn actress Kyoko Yokushimaru is coming to town for an autograph session at the only video store in town where Takashi and his judo friends always hang out. Their ridiculous but serious adventure begins. What will Takashi find after all the surprises and chaos? Recalling youth classics like Stand By Me, this is the debut feature of Shin Adachi, Japan Academy Prize-winning screenwriter of 100 Yen Love.