The best Chika Uchida’s movies

A detective probes the brutal murder of a woman in a red light district while a housewife hides her double life as a prostitute from her husband.

Set after the Tohoku earthquake and tsunami, all 14-year-old Sumida Yuichi wants to become is a regular boy and live a decent life. His environment though repeatedly drags him into the mud. He runs his parent's rental boat business, which is located next to a nondescript lake. His mother frequently comes home with different men and soon she leaves him entirely. His father only comes around looking for money. Chazawa Keiko is a classmate of Sumida Yuichi. She harbors a severe crush on Yuichi. Keiko's home life isn't much better than Yuichi's. Her mother builds a gallows with a noose in place for Keiko to take her own life. Her mother believes her life would be better off without Keiko. Under these circumstances, Keiko pays a visit to Yuichi's home. A group of people are lingering nearby who live in makeshift tents on the property. Keiko tries to befriend Yuichi, but she is berated and even physically assaulted. She doesn't get deterred though and sticks around.

The murder of a young girl leaves the inhabitants of a small Japanese village in shock. The body of Emili is found by four classmates with whom she was playing. The murder is never solved. Emili's mother, Asako, is torn by grief and puts a curse on the four girls when they claim not to remember the killer's face. Each of the girls, in their own way, will do penance for their silence.

Tetsuo (Kiyohiko Shibukawa) is a lowlife. A film director with a small indie hit many years back, yet he has never gotten any further as he refuses to go against his 'artistic integrity'.

A depressed widower, a bored housewife, and a gay lawyer all intersect in this triptych of love lost.

Set at the Hotel Royal, situated in the marshland of Hokkaido, Japan, and follows the guests, the family that runs the hotel, and the hotel's staff. Masayo Tanaka is the only child of the family that runs Hotel Royal. She failed to enter an arts school and she now works at the hotel. She does not show her emotions to anyone.

Young man, Yusuke Mamiana, fed up with his life meats a unattractive ugly girl, Kyoko, at his hometown. Out of his impulsive desire, he had a relationship by nearly raping her. They started to live together and gradually feel 'Family' attachment in each other. As time passes, Yusuke starts to think more about 'Happiness' of his family and himself.

In 1987, frustrated junior high student Takashi hates his uncool father hanging around their suburban home all the time, and is pestered by the area’s wannabe gangsters. But he’s interested in the girl next door, the bounteously-breasted Megumi. One day, Takashi hears a rumor that porn actress Kyoko Yokushimaru is coming to town for an autograph session at the only video store in town where Takashi and his judo friends always hang out. Their ridiculous but serious adventure begins. What will Takashi find after all the surprises and chaos? Recalling youth classics like Stand By Me, this is the debut feature of Shin Adachi, Japan Academy Prize-winning screenwriter of 100 Yen Love.

Toko grew up unloved by her mother Mizuho who continues to adore her deceased son. She lives alone in an apartment the electricity has been cut off and the trash is piling up. One late night, Toko enters a gloomy building in order to escape from a threatening stalker, Tomita. There she finds a handgun. She brings it back home and confirms it is loaded with four bullets. One day, the family living next door who have already been enduring poverty and violence end up murdering a man. Toko helps them bury the man's body, shooting it with the handgun. Toko becomes captivated by the gun itself. She is further entangled in the true circumstances of the incident due to the detective searching for the handgun and a suspicious man Kazunari who knows a secret about the handgun. Toko tries to throw herself into the whirlpool but then the lid is blown off her "past."

Kenta Kurihara (Tasuku Nagaoka) is sent to prison for battery. In his cell he is referred to as the "newcomer." Meanwhile, Kenta is bummed out with simple meal offerred in prison. The four other prisoners in his jail cell have no problems eating his food. On lunar new year's day the prison offers the traditional Osechi-Ryori dish. The inmates in the cell gather to play a game that has become an annual ritual. They compete for items from each other's dishes by boating about the most delicious things they have ever eaten. Shunsuke Aida (Motoki Ochiai) begins their game by talking about a dish which his mother made ...

At a movie studio in 1988, rookie director Hanako Hayashi is making her directorial debut, the erotic As Far as Love Will Take Us. She's under pressure from her producer and crew. When she is about to shoot the climax of the film, numerous problems arise. To make matters worse, the set is visited by a censor from the Film Certification Committee, and the key scenes end up being cut out to avoid an R rating. Can Hanako realise her dream?

A Taiwanese girl Yuwen comes to a village of Fukushima to study abroad. She thinks falling-in-love is a stupid thing and the land is unusually dry as Yuwen’s heart because of no rains. Yuwen struggles to speak Japanese but learns Japan culture and relationships from her host family and neighbors. As she opens her heart little by little, rain falls on the small village after a long time.

A widower and his daughter deal with the death of the man's wife.

An omnibus film consisting of 4 short films and a documentary related to COVID-19.

Hozumi is a doctor and he is friends with manga artist Soeda. They both like Asako who works at a tropical fish shop. Hozumi eventually gives up Asako for his friend Soeda. Soeda and Asako decide to get married, but, after they get married, Soeda dates another woman and abuses Asako. He even pushes Asako to have an affair with Hozumi. Hozumi still has feelings for Asako, but his love changes to hatred.

Yuko, a former leader of the five-member idol group Pinkerton, with the help of man named Matsumoto, tries to reunite the now-disbanded group.

Mikio and his older brother Saneo, who is mentally handicapped, live together and have just buried their father. One day, Mikio hires a hooker named Marin for his brother. Marin is an underground singer who goes by the name Fala. A video producer who is filming Fala's documentary finds out about her double life, and proposes to film her and Saneo's sex life. Dreaming about leaving Tokyo with Saneo with a huge sum of money from the film, Mikio and Marin agree to the offer.