The best Salwa Nakkara’s movies
Today we present the best Salwa Nakkara’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Salwa Nakkara’s movies.
Miral
6.2/10
A drama centered on an orphaned Palestinian girl growing up in the wake of the first Arab-Israeli war who finds herself drawn into the conflict.
Junction 48
6.6/10
Set against a backdrop of the Israeli-Palestinian conflict, Palestinian rapper Kareem and his singer girlfriend Manar struggle, love and make music in their crime-ridden ghetto and Tel Aviv's hip-hop club scene.
Divine Intervention
6.6/10
Santa Claus tries to outrun a gang of knife-wielding youth. It's one of several vignettes of Palestinian life in Israel - in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, Ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn't.
A Trumpet in the Wadi
6.5/10
An impossible love story - Huda, an Israeli Arab, and Alex, recently immigrated to Israel, overcome all difficulties.
In His Place
A complicated and nonliteral Jewish film about feelings the name for which has not yet been invented. A friend of the family in which the wife died in labour loved her more than life itself, although he will never say it out loud. He gladly agrees to babysit the child for a day and brings her home, where he is suddenly faced with resentment from his relatives. This multifigured film with beautiful unspoken truths talks about widowhood of other people and oneself, about others’ children who can be dearer than the yet unborn children of one’s own, and about love that does not follow the loved one into the grave.
