The best Richard Fréchette’s drama movies

Bibiane, a wealthy part-time model, questions her seemingly perfect life after she has a traumatic abortion.

Claire is a beautiful young woman who works at her late father’s hotel, that is now managed by her evil stepmother Maud. Claire unwittingly sparks uncontrollable jealousy in Maud, whose young lover has fallen in love with Claire. Maud decides to get rid of Claire who finds shelter in a farm where she’s allowed to break free from her strict upbringing through encounters with seven “princes.”

The year is 1952, in Quebec City. Rachel (16), unmarried and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the confessional. In the present year of 1989, Pierre Lamontagne has returned to Quebec to attend his father's funeral. He meets up with his adopted brother, Marc, who has begun questioning his identity and has embarked on a quest for his roots that would lead them to the Quebec of the 1950s. Past and present converge in a complex web of intrigue where the answer to the mystery lies.

A girl who comes from a long line of circus performers tries to fulfill her dream of going to private school.

Chaos ensues after global warming transforms a working-class Montreal neighborhood into a world Mecca for truffles.

The reality of addiction in a tough-minded docudrama set in the bleak milieu of hustlers and junkies in Montreal.

After the death of his mother, a man tries to discover a meaning to his life, to the universe and to rebuild a relationship with the only family he has left: his brother.

Navigating the treacherous social tides of high school, Marine is cut adrift by Océane, her older sister who’s caught in the thrall of an older man. Meanwhile, their mother struggles to keep her head above water.

Robert Lepage directed this Canadian comedy, filmed in black and white and color and adapted from Lepage's play The Seven Branches of the River Ota. In October 1970, Montreal actress Sophie (Anne-Marie Cadieux) appears in a Feydeau farce at the Osaka World's Fair. Back in Montreal, her boyfriend Michel (Alexis Martin) watches the October Crisis on TV and sees Canadian Prime Minister Trudeau declare the War Measures Act. The Canadian Army patrols Montreal streets. Sophie learns she's pregnant and phones Michel. However, Michel is immersed in politics, while Sophie rejects the amorous advances of her co-star (Eric Bernier), becomes friendly with a blind translator, and passes an evening with frivolous Canadian embassy official Walter (Richard Frechette) and his wife Patricia (Marie Gignac). Meanwhile, in Montreal, Michael plots terrorist activities. Commenting on East-West cultural distinctions, the film intercuts between Quebec (in black and white) and Japan (in color).

Henri was raised by religious in a convent and lived with them until the women, now elders, moved, leaving him alone. Henri fixes lamps. Since his young age, he's been replacing burned light bulbs and illuminates people's lives. After following signs, he finds himself working in a lamp company. Through his new work, he meets an old man trying to never forget his glory days and a blind woman, teller in an adult cinema, with whom he falls in love.

A man blames himself for the tragic death of his daughter's friend. Unable to get past this event, the man spirals into depression, and then he undergoes a 'groundbreaking' therapeutic treatment that may put him in contact with dead people.