The best Anne-Marie Cadieux’s movies
If you love cinema, you will share this ranking of the best Anne-Marie Cadieux’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Anne-Marie Cadieux.
Matthias & Maxime
6.8/10
Two childhood best friends are asked to share a kiss for the purposes of a student short film. Soon, a lingering doubt sets in, confronting both men with their preferences, threatening the brotherhood of their social circle, and, eventually, changing their lives.
Good Neighbours
5.8/10
Neighbors Spencer and Louise have bonded over their fascination with a recent string of murders terrorizing their community. When a new tenant named Victor moves into the building, all three quickly hit it off. However, they soon discover each has his or her own dark secret. As the violence outside mounts, the city retreats indoors for safety. But the more time these three neighbors spend together in their apartment building, the clearer it becomes that what they once thought of as a safe haven is as dangerous as any outside terrors they could imagine.
Three Night Stand
4.7/10
A man's plans for a romantic weekend go awry when he learns that his ex-girlfriend, whom he still secretly loves, manages the ski lodge where he and his wife are staying.
False Movement
5.9/10
Victor feels adrift. Uprooted by his mother from Paris to his new home in Quebec City, he's still reeling from the recent death of his father. One day while skipping class, Victor stumbles upon a classmate's suicide.
The Trotsky
6.7/10
Leon Bronstein is not your average Montreal West high school student. For one thing, none of his peers can claim to be the reincarnation of early 20th century Soviet iconoclast and Red Army hero, Leon Trotsky. When his father sends Leon to public school as punishment for starting a hunger strike at Papa's clothing factory, Leon quickly lends new meaning to the term 'student union', determined as he is to live out his pre-ordained destiny to the fullest and change the world.
Séraphin: Heart of Stone
6.6/10
Séraphin unfolds against the severe and achingly beautiful landscape of rural Quebec in 1889, where young lovers are torn from each other when a bankrupt shopkeeper forces his daughter into an arranged marriage to save his business. But true love cannot be denied...
Poor Georges
5.2/10
Georges (Grégory Gadebois), teaches school in Montreal – he and wife Emma, (Monia Chokri) have just moved to the countryside. One day, he surprises a young intruder Zack, (Noah Parker), rummaging through his things.
Far Side of the Moon
7.2/10
After the death of his mother, a man tries to discover a meaning to his life, to the universe and to rebuild a relationship with the only family he has left: his brother.
Endorphine
6/10
Twelve-year-old Simone feels painfully disconnected from the world after witnessing the brutal death of her mother. Simone, a solitary multimedia artist in her twenties, is struggling to control her crushing panic attacks and keep her day job in an underground parking lot. And Simone, a sixty-year-old physicist, is giving a conference on the nature of time. The three Simones' lives are intertwined in a labyrinthine meta-world where timeframes overlap, characters multiply, and storylines repeat and expand. But, for all its shuttling forward and back through time, ENDORPHINE remains grounded in the Simones' inner lives — it's an artistic examination of scientific phenomena that also poignantly explores how people deal with trauma.
Miss Météo
6.1/10
Myriam Monette, a not very conformist and slightly whimsical Miss Weatherwoman, is now forty years old, has a new boyfriend and a new mandate at Channel Météo (also called Channel M). On the surface, nothing has changed. In reality, nothing is the same anymore. Like a green lawn on a summer day suddenly covered in snow, Myriam went to bed a confirmed single “adulteen” and woke up in love, living with someone else and undergoing major changes.
You
4.6/10
Michèle shares her life with Paul, her husband and work colleague. She has a lover, Thomas, a musician with whom she has been having a passionate affair for some time. Attracted by Thomass non-conformity and lust for life, Michèle abandons her husband, her son and her profession to live this frenzy through to its conclusion. A quest for freedom and change that sends Michèle on a turbulent drift, but remains, nevertheless, intimate and personal.
The Confessional
7.4/10
The year is 1952, in Quebec City. Rachel (16), unmarried and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the confessional. In the present year of 1989, Pierre Lamontagne has returned to Quebec to attend his father's funeral. He meets up with his adopted brother, Marc, who has begun questioning his identity and has embarked on a quest for his roots that would lead them to the Quebec of the 1950s. Past and present converge in a complex web of intrigue where the answer to the mystery lies.
The Squealing Game
6.4/10
How My Mother Gave Birth to Me During Menopause
6.4/10
Maman Last Call
6/10
Nô
6.9/10
Robert Lepage directed this Canadian comedy, filmed in black and white and color and adapted from Lepage's play The Seven Branches of the River Ota. In October 1970, Montreal actress Sophie (Anne-Marie Cadieux) appears in a Feydeau farce at the Osaka World's Fair. Back in Montreal, her boyfriend Michel (Alexis Martin) watches the October Crisis on TV and sees Canadian Prime Minister Trudeau declare the War Measures Act. The Canadian Army patrols Montreal streets. Sophie learns she's pregnant and phones Michel. However, Michel is immersed in politics, while Sophie rejects the amorous advances of her co-star (Eric Bernier), becomes friendly with a blind translator, and passes an evening with frivolous Canadian embassy official Walter (Richard Frechette) and his wife Patricia (Marie Gignac). Meanwhile, in Montreal, Michael plots terrorist activities. Commenting on East-West cultural distinctions, the film intercuts between Quebec (in black and white) and Japan (in color).
See How They Dance
6.2/10
A French video artist traverses Canada on a train that takes her from the east to the west through the snow. This journey leads her to encounter the last girlfriend of her ex-husband, an internationally respected showman who is now dead. Each of the two women will try to understand how the "man of their life" loved and lived with the other. See how they dance.
Tuning the Brain with Music
Where does music live in the human brain? How and in what form, does a sound, a song, a musical piece become an embedded emotion, image, memory or unforgettable melody? How and why does music succeed, often very quickly, in transforming the physiology and neural connections of the human brain, from a baby in gestation to our last breath? Tuning the Brain with Music is a documentary film that introduces us to the spectacular transformative powers that music has on the plasticity and anatomy of the human brain in a sustainable way. The stories at the heart of the film are many and varied: there are premature babies who in intensive care units are appeased by music therapy sessions; Canadian veterans suffering from post-traumatic stress that music has saved from suicide; autistic girls who have formed a rock band; survivors of cancer and stroke for whom music has been an integral part of their medical healing protocol; and homeless youth for whom music is their lifeline.
Happiness is a Sad Song
6.8/10
The disjointed story of Anne-Marie, an unemployed publicist pounding the pavement in Montreal with her mini-cam, collecting testimonials on the subject of happiness. She meets a medley of characters whom she engages in engrossing, thought-provoking discussions.
Tartuffe de Molière
