The best Ramon Agirre’s comedy movies
If you love cinema, you will share this ranking of the best Ramon Agirre’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Ramon Agirre.
The Day of the Beast
7.3/10
The story revolves around a Basque Roman Catholic priest dedicated to committing as many sins as possible (Angulo), a death metal salesman from Carabanchel (Segura), and the Italian host of a TV show on the occult (De Razza). These go on a literal "trip" through Christmas-time Madrid to hunt for and prevent the reincarnation of the Antichrist.
Kalebegiak
6.7/10
Twelve short films, twelve portraits of the city of San Sebastian.
Aupa Etxebeste!
6/10
The same day that the Etxebeste Family are leaving for their holidays, they lost all their money. They have to keep up appearances in front of the residents, so they will hide them selves at home. During their stay at home the Etxebestes will throw each other miserys and lies but later they will enjoy the best holidays in their life.
Operation Golden Shell
4.6/10
Igelak (Frogs)
5.5/10
Pello, a bank branch manager, is arrested on charges of embezzlement. Abandoned by his superior (who got him involved in the heist), Pello escapes from the court room and goes on the run. With no papers, no money and no family or friends he can trust, he changes identity so that he can stay undercover for a time. By chance he ends up hiding in a building that has been occupied by a group of people evicted from their homes who are fighting his bank. Pello gains their trust, all the time planning to steal money from them to pay for false documentation so that he can escape abroad and start a new life.
Sukalde kontuak
4.3/10
The People at Universal
7.6/10
This is a dark comedy that takes place in an urban jungle, where each has to ensure its own survival. No one is bad, but all acting for his own benefit and without measure if their actions hurt others. The former Sergeant Diogenes Hernandez owns the Universal, a precarious detective agency private in the Centre of Bogotá, which is based in the same apartment where he and his wife Fabiola inhabit. His nephew, Clemente Fernández, who works at the Agency, maintains a romance with Fabiola, without trying to hurt the feelings of his uncle, but driven by the need to alleviate their empty urban and anonymous man. Written by Diego Alvarez
