The best Ane Gabarain’s movies

Julia, a real estate agent, finds an enormous amount of money hidden in a dead man's apartment, a stroke of luck that will force her to face the wrath of the very peculiar inhabitants of the condominium, headed by an unscrupulous administrator.

Julián Torralba is a former movie stuntman in Almeria, Spain. He and several of his colleagues, who once made a living in American Westerns shot in Spain, now are reduced to doing stunt shows for minuscule audiences on the decaying set built for those old Westerns. Julián wrestles with dark memories of the death of his son, also a stuntman, and with estrangement from his daughter-in-law Laura and her son Carlos. Carlos, a young boy, becomes intrigued with his late father's life and runs away to join Julián and his band of has-beens. There Carlos is initiated into the rambunctious life of these hard-drinking faux cowboys. But when Laura, a powerful executive looking for a new site for a tourist resort, learns that Carlos has joined the hated Julián, she moves to destroy even this remnant of Julián's once-proud career. Julián and the cowboys decide to fight back the only way they know how.

Somewhere in Spain, four ETA terrorists await a phone call before carrying out a mission, while the 2010 FIFA World Cup, where Spanish soccer team is one of the favorites to win, is being held in South Africa.

Ane is in her mid-forties and delighted when a stunning bouquet of flowers is delivered to her home. But the site manager has no idea who to thank – one thing is for sure; her jealous husband, Ander, is not the unknown cavalier. As these gallantries increase, always on a Thursday and always with an anonymous sender, Ane’s life takes on a new direction. The life of Lourdes is also sent into turmoil by beautiful bouquets of flowers: Since the death of her husband in a traffic accident, flowers have been deposited regularly at the scene. Lourdes’ mother-in-law, Tere, is determined to get to the bottom of the anonymous flowers. Jon Garaño and José Mari Goenaga’s feature film debut pays charming homage to three headstrong women and the power of flowers.

A trigger-happy Nationalist fears retribution from the son of a man he executed. To mollify the boy's anger, he takes a drastic step: he keeps constant watch over the fig tree the boy has planted at his father's gravesite. As the years pass, the man's lonely vigil makes him a tourist attraction, much to the chagrin of his former colleagues.

Twelve short films, twelve portraits of the city of San Sebastian.