The best Paul Bisciglia’s drama movies
Today we present the best Paul Bisciglia’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Paul Bisciglia’s movies.
The Cousins
7.2/10
Charles is a young provincial coming up to Paris to study law. He shares his cousin Paul's flat. Paul is a kind of decadent boy, a disillusioned pleasure-seeker, always dragging along with other idles, while Charles is a plodding, naive and honest man. He fell in love with Florence, one of Paul's acquaintances. But how will Paul react to that attempt to build a real love relationship ? One of the major New Wave films.
That Most Important Thing: Love
7/10
Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.
The Slap
6.3/10
A Parisian teacher (Lino Ventura) loses his cool when his teenage daughter tells him she plans to drop out of school and move in with her boyfriend.
Witness in the City
6.9/10
Industrialist Pierre Verdier kills his mistress Jeanne Ancelin by throwing her off a train. Her husband, Ancelin, decides to take revenge on his wife's murderer, who has been acquitted by justice.
Sign of the Lion
7.2/10
An American in Paris lives by sponging off his working friends, and throws a party using borrowed money when his rich American aunt dies, believing firmly in his horoscope.
Young Casanova
4.4/10
Gerard Casanova is the man that all the rich and beautiful women call when they need a little more then the husbands to give them. He's always on call to satisfy their every sexual urge.
La Baraka
4.8/10
Action Man
6.4/10
An American (Robert Stack) talks a retired French crook (Jean Gabin) into robbing a bank, but kidnappers demand the loot as ransom.
Lumière
5.9/10
Sarah, an actress nearing 40, has invited the woman who has been her best friend for 16 years and two younger women to her vacation retreat in Provence. There are the simple pleasures of lounging in adjacent hammocks, the sun, the food, conversations about men. This is prologue for what happened a year ago in Paris with a man Sarah has long taken for granted as a platonic friend. She had just finished a film, also finishing her liaison with the director, and was about to get an award and start work on a new film and begin a romance with a German writer.
Only the Cool
5.7/10
Tough and uncompromising late 60s espionage.
Le Cinéma de papa
6.4/10
Claude Berri plays himself as he relates his own experiences through youth and adolescence. His father owns a profitable fur shop. Initially, Claude's father hopes his son will take over the fur shop, but he later gives in to Claude's desire to become involved in filmmaking.
Provisional Liberty
5.7/10
Jean-Paul is a Frenchman who yearns to live in communist Czechoslovakia. His wish is granted when, mistaken as a masseur of a French boating team, he manages to elude the democratic authorities long enough to scamper over the Czech border.
House of 1000 Pleasures
4.4/10
Marcel is a taxi driver who luckily pickups a gorgeous woman who begins to undress herself while in the back seat. Soon she leads him to a Private Club where he can pick any woman he wants to satisfy his sexual fantasies. After he enjoys a few exciting moments with 2 lovely ladies he is introduced to the many characters that make up the Private Club and begins enjoying the sexual games. The Private Club isn't all that's on Marcel's mind though as he is madly in love with Lisa who he met in Paris.
Jury of One
6.2/10
A desperate woman, whose son is on trial for murder, blackmails the judge and kidnaps his wife.
Trop au lit pour être honnête
3.8/10
The Wretches
6.4/10
Meant to be a psychological study of a dysfunctional couple and an equally unbalanced maid, this slow-paced, murky melodrama stars Michele Morgan and Robert Hossein as Thelma and Jess, two Americans who move into a down-at-the-heels Paris neighborhood. The couple is still suffering from the loss of their only son in an automobile accident that happened some time in the distant past. Thelma tends to drown her sorrows in alcohol, while Jess is introspected and morose. After they hire a maid to help out with the housework, she falls for the taciturn Jess. Her interest seems to be only a simple attraction, yet appearances, as it turns out, are deceiving.
Quai des blondes
5.1/10
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Before the Deluge
7/10
The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.
Sex Shock
4.4/10
Les Hommes en blanc
5.4/10
