The best Marthe Villalonga’s movies

Two men, fortyish, worn out by their wives, abandon everything to go and live in the back of beyond. There they meet a truculent priest, a boozer, Émile who recalls them to life's simple pleasures. Calm is what they want. But soon their example inspires thousands of disorientated males, fleeing the feminist 1970s. Soon, too, there arrives a squadron of nymphomaniac Amazons.

Joe and Averell are the eldest and youngest of the four Dalton brothers, the worst outlaws in Wild West history...

Michel works there manically solving people's problems over the phone. He is about to tie the knot with his girl friend Isabelle, an airline hostess. She flies all over the world, he hates to leave the office. A series of madcap mishaps involving theft or injury (as you would expect in his line of work) ensues after Michel promises Isabelle nothing will delay their marriage and she promises in turn that she's done flying. Once this unlikely promise is made, it becomes premise and both are forced into escalating white lies to maintain the appearance of keeping their word. Their predicament mounts as Isabelle is forced to do a few more flights, while Michel is compelled to travel to New York, Tunisia, and finally Hong Kong, where they are finally reunited in the throes of a contrived and hilarious drug deal involving a 747, water taxi chases, and martial arts.

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

In the fall of 1963, Anne is becoming a teenager. She lives in Paris with her mother and her older sister, Frédérique. They're just back from summer at the beach with their father. School starts. A turbulent year awaits them both.

This is the story of four French friends: the Greek (an osteopath), Fifi (who lives with his mother), Fortuné (a West Indian) and Freddy (a gambler). They meet up regularly at a Parisian bookmakers’, their favourite haunt. Tired of frittering away the little spare cash they have, they agree to give up gambling. But no sooner have they taken this pledge than Fate intervenes, in the guise of the turf king, Monsieur Paul. The latter persuades the four friends to buy a champion racehorse, not knowing that it is in fact an old nag…

After getting dumped on Christmas Eve, Angela must rebuild her life surrounded by her rebellious teenager, her tyrannical mother, her hysterical best friend, and a weird psychologist.

On an otherwise normal day, Étienne, a happily married man and a good father, sees something that stops him dead in his tracks: a gorgeous woman in a billowing red dress. Long after she has left his vision, her memory continues to haunt his mind. He falls instantly in love with her and tries everything to get to know her better. Helping Étienne snare his elusive lady in red are his three bumbling buddies, which all have secret affairs and/or cheat on their wives.

Romain Faubert is a 39 year old, single, medical photographer... and a raging hypochondriac. His doctor and only friend Dr. Dimitri Zvenka thinks he knows the cure for Romain: dating! But with the arrival of freedom fighter Anton Miroslav, everyone might get more then they bargained for...

A detective, fresh out of the academy (lowest mark in class), gets the assignment to bodyguard a spoiled rich girl reporter. She's been interviewed on TV and has questioned the virility of a mobster who kidnaps her later.

Four separate stories deal with stereotypical ideas about Jews: their alleged influence on politics, the stereotype of Jewish business-mindedness, the Mossad, the Jewish world conspiracy and the memory of the Holocaust.

Thirty-somethings Michaël, Nabil and Sylvain head to New York to surprise their friend Samia on her birthday, secretly arranged with the help of another friend, Gabrielle. The two women had moved to NYC two years previously to try their luck. Samia shares a fabulous loft with a renowned American actress and works as her assistant. Gabrielle has a more mundane job in a small retirement home. Transposed to New York, the close bonds formed over the years between the five friends from a housing project on the outskirts of Paris take on a different aspect. The laughter and emotion is dictated by the adventures they share during their stay, from the daily lives of the women to the discovery of this cult city.

Three young men (Jacques, Pierre and Michel) share an apartment in Paris, and have many girlfriends and parties. Once, during a party, a friend of Jacques' tells him he has a quite compromising package to deliver, and asks him if he can leave it discreetly at their place. Jacques agrees and, as he works as a steward, flies away for a one month trip in Japan, telling Pierre and Michel about the package. Then, one of Jacques' former girlfriends drops a baby before their door, making Pierre and Michel believing it is the package they are waiting for. Their lives are then completely changed.

A desperate woman, whose son is on trial for murder, blackmails the judge and kidnaps his wife.

The film is the immediate continuation of Un éléphant ça trompe énormément, released the previous year. Having fortuitously discovered a photograph in which Marthe embraces someone unknown, clothed with a chequed jacket, Étienne Dorsay becomes jealous, and imagines various stratagems to identify the lover. In the meantime, Étienne and his friends acquire a weekend house for a very low price. As in the previous work, the film is largely narrated by the character Étienne, whose tone shifts with the reality of the images. The film contains a certain number of allusions to the films of Blake Edwards (the Pink Panther series).

Liliane and Maud are twin sisters. The first is a modest provincial hairdresser while the second leads the great life in Paris. They both fight over their mother's custody.