The best Nobuko Miyamoto’s crime movies

Nobuko Miyamoto

Nobuko Miyamoto

27/03/1945 (79 años)
If you love cinema, you will share this ranking of the best Nobuko Miyamoto’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Nobuko Miyamoto.

A Taxing Woman

A Taxing Woman
7.2/10
  • Genre: ComedyCrime
  • Release: 07/02/1987
  • Character: Ryôko Itakura
Ryoko Itakura is a government tax agent who has just landed a big promotion. Her first assignment is to catch wheeler-dealer Hideki Gondo. She has a tough job, since in Japan tax evasion is an art and Gondo is, in effect, Rembrandt.

Minbo: the Gentle Art of Japanese Extortion

Minbo: the Gentle Art of Japanese Extortion
7.4/10
A grand old Japanese hotel is trying to get a prestigious contract as the site of a summit meeting of important foreign officials. Unfortunately, this hotel is quite popular with the Yakuza (Japanese gangsters) and is a favorite target of theirs for extortion. They employ a variety of schemes to con the hotel out of 'hush-money.' The hotel needs to rid itself of the Yakuza and finally begins to fight back by hiring Mahiru Inoue, a lawyer who is an expert at dealing with these criminals on their own terms. This film by Juzo Itami combines action with farce, as an all-out war ensues.

Kidnapping Blues

Kidnapping Blues
5.9/10
A man and a little girl meet in a bicycle parking in Tokyo. The little girl says she wants to watch the sea, and their travel begins. The man has no conscience of being a kidnapper. He asks the girl to phone her mother and tell her she’s with him. During their trip they will meet various people. But they always have to go further, or the man would to get arrested...

Deaths in Tokimeki

Deaths in Tokimeki
6.6/10
  • Genre: CrimeDrama
  • Release: 18/02/1984
  • Character: Owner at the inn
Deaths in Tokimeki tells the disturbing, compulsive story of a hit-man waiting to carry out a job: the assassination of the leader of a religious cult, masterminded by the leader's own deputy. But it is a story that is told in blocks, like the phrases in a child's computer game, and what counts most is not the narrative but the spaces between the blocks-the gaps that are filled with undefined menaces as potent as anything in Lovecraft.

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