The best Mirta Busnelli’s movies

After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.

After her 27th birthday, Silvia Prieto decides to take charge of her life and make some changes. At the same time, she suddenly finds herself intertwined in the life of another woman who is also named Silvia Prieto.

Epecuén was one of the most important touristic villages of Argentina. Thousands of people concurred, attracted by the healing properties of its thermal waters. On November 10th 1985, a huge volume of water broke the protecting embankment and the village was submerged under ten meters of salt water. Epecuén disappeared. Thirty years later, the waters receded and the ruins of Epecuén emerged exposing a bleak and deserted landscape. The residents never returned. The plot revolves around a group of young people that take a trip to the ruins in order to film a documentary about Epecuén. Ignoring the warnings, and after a brief tour, they get stranded in the abandoned village. Contrary to what they thought, they begin to realize that they are really not alone…

Inés works as a dubbing actress and sings in a choir in Buenos Aires. While on an idyllic trip she suffers a traumatic episode that she can’t recover from. She has trouble sleeping and experiences very vivid nightmares as strange sounds begin to emerge from inside her. Awake, Inés feels suddenly surrounded by people that seem to come from her dreams.

The film tells the story of Bruno, who drives his motor scooter through the streets of Buenos Aires, making deliveries to the premises of "Extraordinary Objects" of his uncles. His friends wait for him to start the weekend but an unexpected accident with a relative changes his plans. Bruno starts a weekend of adventures, which will involve a scientist, a girl with unusual beauty, a group of aliens who love human flesh and an eccentric modern artist.

It’s saturday night and Pilar just wants to stay alone at home without being bother. But when the doorbell rings, her plans will soon change.

Screenwriter Javier Gross denies his past by making up fictional stories. Lucia, his wife, tired of his fiction, starts an affair. But not even the confession of infidelity touches Gross, who is caught up in the story of a script that is writing, whose idea is so powerful that dominates it completely. Lucia, after seeing that Gross is unshakable, decides to leave. But Gross wastes no time: the same day replaces Lucía by Laura. From day one, Gross confuses the names of women. Thus Laura is transformed into a second copy of the true love of Gross.

Dina has not seen her three children for many years. They escaped their excessive control and live abroad. She can't get over her aerophobia to go visit them. She can't take it anymore without seeing them, and with his friends she sets up a mock of his funeral to force them to come and see her, but her plan will unleash madness. Who would think that this plan will work?

Florence, a young irresponsible mother and her precocious daughter, Eugenia, have an unusual relationship. The roles between the two are reversed. Florence is totally inept at caring for a daughter, whereas Eugenia, only 10 years old, shows maturity and responsibility far beyond what her age might lead you to suppose.

A mage steals a book from a stranger and becomes very famous.

In 1806, in the mist of the British invasion of Buenos Aires, football is introduced. A merchant of the time sees in this sport a unique business opportunity and in the process awakens a passion so great that it can replace the war.