The best Diego Capusotto’s movies

Movie adaptation of Leonardo Oyola's novel, which tells the story of the legendary DC comics superhero, Superman, if he, instead of falling in Smallville from Krypton, would have landed in the heart of Isidro Casanova, in La Matanza, deep in the west side of Buenos Aires.

One night in the hottest summer in 20 years, Leandro De La Torre, famous punk singer, shoots out of a window and hits the roof of a car. It is the day of his 27th birthday. Paula, a young fan of twenty-one years old, records everything with her cell phone. Far from knowing that in that video is the key behind the murder of the musician. Martín Lombardo, a staunch supporter of Racing, is the detective in charge of investigating the case. Along with Paula you will discover the conspiracy behind the deaths of all famous rockers at 27 years old. Jimi Hendrix, Janis Joplin, Amy Winehouse, Sid Vicious and Leandro De La Torre have a lot in common: in fact, they were all murdered. Paula and Lombardo can be the following. Persecutions, impossible action scenes and completely unexpected twists make up the plot of 27.

In 1806, in the mist of the British invasion of Buenos Aires, football is introduced. A merchant of the time sees in this sport a unique business opportunity and in the process awakens a passion so great that it can replace the war.

A kidnapping occurs in the middle of a vital match for Racing Club.

General San Martin has stopped in the Cordillera and the crossing of the Andes does not advance. Rivadavia is that triune. A simple chasqui (courier), advised by an aboriginal witch, will try to solve the situation.

It tells the story of two cousins ​​in bankruptcy, who kidnap Luis Aguilé obtained assuming a large ransom and, awkwardly, ending in a small town where they will live a story that reaches beyond the madness of kidnapping.

Violencia Rivas, one of the characters created by Diego Capusotto and Pedro Saborido for their television program Peter Capusotto and their videos, reflects on the world of entertainment, while other characters of the same origin appear as examples of the different edges of the subject. Together they draw a satire on entertainment as a concept and industry, starting with "three-dimensional cinema", and analyzing with "practical" examples how the media, advertising, the Internet, and social networks are shaping a being alienated and docile, to thus form an anesthetized and consumerist society.