The best Mariella Valentini’s movies

Once upon a time in post-war Rome: 13-year old Aurora, a gifted pianist, is the daughter of Valerio, a brilliant conductor. After Aurora's mother died, Valerio hired Irene, a single mother of two girls, to run the household. To Aurora's regret he decides to marry Irene. One day, Aurora happens to meet the boys next door, Freddy and Sebastian, the sons of a wealthy Italo-Austrian family. Freddy is an easy-going chap, though sometimes a little bit arrogant. His brother Sebastian is kind and shy, with a great ability to listen to and understand people, which makes him win Aurora's heart.

Onetime campus radical Nanni Moretti renounces his past to become a priest. Returning to his home village, Moretti is appalled at the lack of religious reverence amongst the townsfolk. Unable to communicate with any of his old friends, who've all gleefully succumbed to the Deadly Sins, Moretti cannot even count on solace from his own family, a screwed-up aggregation which gives the word "dysfunctional" several new meanings.

Michele is the leader of the Italian communist party and a professional water polo player. On this day he's just lost his memory following a car accident. So he has to discover the intricacies of his life again, and he does so through the naive eyes of the anxious child he used to be - through an improvised psychoanalytic trip symbolized by the friendships and adversities of a water polo game.

Maurizio works in a dubbing studio and puts sound effects into cartoons. One day his hands turn into cartoon ones, with a life of their own.

An Ancient Mayan curse is awakened in the ancient temples in Mexico, and people are killed in strange and gory ways by an invisible force.

Very rare Italian horror anthology from 1994, starring amongst many others, Asia Argento. This Italian movie is an anthology based with no linking material, only that all of the stories have a horror/suspense/surreal theme. The stories are diverse, ranging from routine stories with twist-endings to social satire. The directing styles are equally as eclectic - compare the frenetic Peter Jackson-style opening segment, Our Guys Are Coming to the surrealistic, dreamlike qualities of Outlook.

From the album of the same name by Claudio Baglioni the film tells the love story of two teenagers during the legendary seventies. A story so overwhelming as to compel the world to retreat, to step aside. Andrea and Giulia come from two different worlds, have different friends, and two different lives who call them strongly in opposite directions. Will they keep their love alive in spite of everything?

A biopic of jazz pianist Luca Flores.

A young recruit to the Italian army discovers and rejects the seedy world of soldiers who prostitute themselves to supplement their income. But before leaving this world he is raped by a highly-respected senior officer and must decide whether to risk bringing proceedings against him.

In 1943, Vincenzio and Maria take their children to his father's Tuscan farm. Vincenzio commutes to Rome where he's a physician and, in the hospital basement, prints an anti-Fascist paper. His brother is in the Resistance; his father supplies food to a local monastery where 12 fugitives hide. All is seen through the eyes of the oldest child, Paulo, who's about 7 and the only lad at school who doesn't wear a Fascist Youth uniform. For Paulo and his siblings, it's great fun playing with their nonno, finding herbs in the fields, watching a maid's tryst with a soldier, teasing a silent monk. Then the war reaches the farm when Italy surrenders and the Germans exact revenge.