The best Daniele Luchetti’s movies
If you love cinema, you will share this ranking of the best Daniele Luchetti’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Daniele Luchetti.
Red Wood Pigeon
7.1/10
Michele is the leader of the Italian communist party and a professional water polo player. On this day he's just lost his memory following a car accident. So he has to discover the intricacies of his life again, and he does so through the naive eyes of the anxious child he used to be - through an improvised psychoanalytic trip symbolized by the friendships and adversities of a water polo game.
A Magnificent Haunting
6.6/10
An aspiring actor discovers that his spacious new apartment comes complete with eight friendly ghosts.
Bianca
7.3/10
Eccentric and full of manias, Michele is a young high school professor who defines himself as “not used to happiness”. He realizes his life is meaningless if he doesn’t have a woman by his side but, after a series of rather disastrous experiences, he feels more alone than ever. Then, out of the blue, a new French teacher called Bianca arrives at school. Amongst uncertainties and contradictions, the two start dating. In the meantime, a series of homicides take place and a police officer begins to suspect that Michele is involved. Bianca will save him providing an alibi at the right moment, but then, everything goes wrong again.
Aprile
6.9/10
Nanni Moretti takes another look at the ebbs and flows of his life in April 1996, as he becomes a father for the first time and seems unable to focus on his documentary about the upcoming national elections.
A Matter of Heart
6.8/10
Garage owner Angelo and big-time film producer Alberto find themselves occupying neighbouring beds in a Rome hospital after suffering heart attacks. Alberto is a gregarious joker - and chain smoker - who has a strong effect on the impressionable Angelo. However, as one of the men's condition deteriorates, the other becomes more deeply involved in his personal life.
La scuola
7/10
In a grammar school in the outskirts of Rome, it's the last day of school before the summer holidays. Professor Vivaldi, Italian literature teacher, before the end bitterly remembers what happened in that year and he wonders what will happen to those young students that he cared for as children from their first day of school. But they've paid him off in a somewhat offensive way, given that, as the professor has noted, today's youth are in most cases changed, drifters and without a sense of civic duty.
The Yes Man
7/10
Cesare Botero (Nanni Moretti), a young and corrupted minister, hires a new spokesman, honest and polite high school professor Luciano Sandulli (Silvio Orlando).
The Mass Is Over
7.2/10
Onetime campus radical Nanni Moretti renounces his past to become a priest. Returning to his home village, Moretti is appalled at the lack of religious reverence amongst the townsfolk. Unable to communicate with any of his old friends, who've all gleefully succumbed to the Deadly Sins, Moretti cannot even count on solace from his own family, a screwed-up aggregation which gives the word "dysfunctional" several new meanings.
Bits & Pieces
5.7/10
Dive into The Eternal City - see Rome like you’ve never seen it before. Storefront robberies, bizarre murders, career dreamers, and cameos from Italy’s greatest directors and actors feature in this star-studded omnibus tale about life and love.
What Do You Know About Me
7/10
Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
