The best Marie-France Lambert’s movies

Starbuck is a 2011 Canadian comedy film directed by Ken Scott and written by Martin Petit and Ken Scott. The main character David Wozniak is a perpetual adolescent who discovers that, as a sperm donor, he has fathered 533 children. David, a deliveryman for a butcher shop, is being pursued by thugs because he owes them money. Next, he is advised that more than 100 of his offspring are trying to force the fertility clinic to reveal the true identity of "Starbuck", the pseudonym he used when donating sperm. In addition, his girlfriend Valérie is pregnant with his child but doesn't feel that he is mature enough to be a father. The film's title refers to a Canadian Holstein bull who produced hundreds of thousands of progeny by artificial insemination in the 1980s and 1990s.

Bibiane, a wealthy part-time model, questions her seemingly perfect life after she has a traumatic abortion.

A much-needed boost, in the form of a new factory, is promised to the residents of the tiny fishing village St. Marie-La-Mauderne, provided they can lure a doctor to take up full-time residency on the island. Inspired, the villagers devise a scheme to make Dr. Christopher Lewis a local.

Louis is "repo man" who is no stranger to strong-arm tactics in his work, but he has dreamed of becoming an actor since he was a child. When cousin helps him get an audition, he gets the help of a fam... read more ous actor to him secretly rehearse his scenes. He doesn't even tell his girlfriend Suzie But, Suzie also has a secret. She's pregnant and doesn't want her child to grow up in an atmosphere of violence.

The nuns of a musical convent work hard in order to prevent the religious school from closing.

Two harum-scarums who think they are good stand-up comics try to make a career in showbiz, partly for the career, partly to seduce women. They try alternatively the scene, a movie set and TV. They only succeed in making a fool of themselves

Michèle shares her life with Paul, her husband and work colleague. She has a lover, Thomas, a musician with whom she has been having a passionate affair for some time. Attracted by Thomass non-conformity and lust for life, Michèle abandons her husband, her son and her profession to live this frenzy through to its conclusion. A quest for freedom and change that sends Michèle on a turbulent drift, but remains, nevertheless, intimate and personal.