The best Marianne Groves’s movies
Today we present the best Marianne Groves’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Marianne Groves’s movies.
The Closet
7/10
A man spreads the rumor of his fake homosexuality with the aid of his neighbor, to prevent his imminent firing at his work.
In Harmony
6.4/10
After a serious accident on a film shoot, Marc, an equestrian, loses all hope to mount back on. His insurance company instructs Florence to handle his case. This film is the story of their meeting.
The Chambermaid on the Titanic
6.6/10
Horty, a French foundry worker, wins a contest and is sent to see the sailing of the Titanic. In England, Marie, saying she is a chambermaid on the Titanic and cannot get a room, asks to share his room. They do, chastely; when he awakens, she is gone, but he sees her at the sailing and gets a photo of her. When he returns home, he suspects that his wife Zoe has been sleeping with Simeon, the foundry owner. Horty goes to the bar, where his friends get him drunk and he starts telling an erotic fantasy of what happened with him and Marie, drawing a larger audience each night.
Les deux Fragonard
5.5/10
The name of painter Jean-Honore Fragonard (1732-1806) is synonymous for a kind of painting style which celebrates carefree romantic life, indoors and out. He was a painter during the final decades of the French monarchy. In this story, he and his brother Cyprien (Robin Renucci), who is an early pioneer in medical anatomy (he dissected corpses and made drawings of what he found in them), have fallen in love with the same woman, Marianne (Philippine Leroy-Beaulieu), a laundress. This attraction has not escaped the notice of Salmon d'Anglas (Sami Frey), a conniving nobleman, who has his heart set on getting revenge on Jean-Honore (Joachim de Almeida) for refusing his patronage and becoming the darling of the French court.
Sachs' Disease
7.3/10
Dr. Bruno Sachs, the only medical practitioner in a small French town, seems on the surface to be compassionate and dedicated. However, in private he is not happy in his work and does not like most of his patients. Here he meets Pauline Kasser, a young woman, and they are attracted to each other...
Normal People Are Nothing Exceptional
6.8/10
Martine is 25. Since breaking up with François, she has the feeling that the world is caving in on her. Between small jobs and one-night stands, she can't seem to get a fix on herself. In desperation, after a last quarrel with François, she unintentionally causes an accident that leads her to the emergency ward of a psychiatric hospital. During her brief stay, she unexpectedly sparks into life. She takes an interest in two young patients, Pierre and Anne, convinced that she is doing the right thing in supervising their love life...
A Lesson of hope
6.8/10
The teacher Odile Langlois starts her new job in the elementary school of a small French town. She is elegant and mysterious - but most of all, she is very friendly to her new students, whose confidence she gains so quickly. On the contrary, however, Odile's unconventional, alternative way of teaching does not appeal to some colleagues and parents who do everything to get rid of the young teacher ...
Mado, poste restante
6.8/10
In this gentle comedy, Mado (Marianne Groves) is the letter-carrier for her small town, and she is constantly on the lookout for a good Catholic man who shares her enthusiasm for sunrises. She even puts up posters on trees and walls advertising her interest. The townspeople make fun of her, but she isn't discouraged. Her best friend is Germaine (Isabelle Gelinas), a pretty girl whose moral standards are not as strict as Mado's. When a film director (Oleg Yankovsky) arrives in town, everyone is agog, but Mado is particularly keen to find out about him. However, it seems that he has his eye on Germaine, and he isn't really in her league anyhow.
Night Taxi
5.8/10
It is only a few years into the future, but the face of France has changed drastically, due to its takeover by a moralistic, hypocritical and totalitarian regime. Women with children who want to divorce their husbands are not allowed to do so, all political parties have been outlawed, smoking is illegal and everyone must work. After a spat with her boyfriend, Carole (Laure Marsac) hails a taxi, not realizing that she has done so without any of the money or identification papers she needs. Her driver (Bruno Cremer) attempts to help her, but a variety of mishaps bring her to the attention of the police, who proceed to arrest her on made-up charges and a phoney HIV-positive result on tests given at the time of arrest.
