The best Oleg Yankovskiy’s movies

A Russian poet and his interpreter travel to Italy to research the life of an 18th-century composer.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Billy is mute, but it hasn't kept her from becoming a successful makeup artist. While in Russia, working on a film directed by her sister's boyfriend, Andy, Billy finds herself trapped in the studio one night and is horrified to see a snuff film being made. Billy escapes and, with the help of her sister, Kate, alerts authorities about what she saw. Unfortunately, in doing so, she makes an enemy of the Russian mafia, who funded the snuff film.

The Hound of the Baskervilles is a 1981 Soviet film adaptation of Arthur Conan Doyle's novel The Hound of the Baskervilles. It was the third installment in the TV series about adventures of Sherlock Holmes and Doctor Watson. A potent streak of humour ran through the film as concerns references to traditional British customs and stereotypes, ensuring the film's popularity with several generations of Russophone viewers. Other features of this best entry in the series include excellent exterior shots which closely match the novel's setting in the Dartmoor marshland, as well as an all-star cast: in addition to the famous Livanov -Solomin duo as Holmes and Watson, the film stars the internationally acclaimed actor/director Nikita Mikhalkov as Sir Henry Baskerville and the Russian movie legend Oleg Yankovsky as the villain Stapleton.

A young refugee travels from Russia to America in search of her lost father and falls in love with a gypsy horseman.

In this hit Russian musical, a group of friends flaunts Soviet authority in 1950s Moscow by embracing jazz. When Communist Mels falls for Polly, a free-spirited jazz fan, he risks losing his party membership by associating with her rebellious crew.

The film is set in 1913 Russia during the celebrations of the Tricentennial Anniversary of the Romanov Dynasty. Rich Russian merchants are celebrating their wealth by gambling and playing poker. They are traveling aboard the luxurious cruise liner "St. Nikolai" on Volga river, oblivious to the fact that several gangs of crooks and con-artists are stealing their money in the game. Their target is the wealthiest Russian tycoon Satanovsky.

In 16th-century Russia in the grip of chaos, Ivan the Terrible strongly believes he is vested with a holy mission. Believing he can understand and interpret the signs, he sees the Last Judgment approaching. He establishes absolute power, cruelly destroying anyone who gets in his way. During this reign of terror, Philip, the superior of the monastery on the Solovetsky Islands, a great scholar and Ivan's close friend, dares to oppose the sovereign's mystical tyranny. What follows is a clash between two completely opposite visions of the world, smashing morality and justice, God and men. A grand-scale film with excellent leading roles by Mamonov and Yankovsky. An allegory of Stalinist Russia

A man, who becomes mistaken for his brother who was immigrating to Israel from USSR, finds himself caught up in the middle of a bureaucratic mess when he realizes that if he tells the truth about who he is, he will go to jail and his brother's family will never be allowed to leave the USSR. He therefore assumes his brother's identity to get to Israel hoping his distant uncle living there will help him out. The plan backfires, however, when he realizes that the uncle is a paranoid lunatic thinking the KGB is out to get him. He becomes stranded in Israel with no friends, no money, and no passport, trying to figure out a way to get back home.

An aristocrat falls for a young woman who brings him ruin. Based on Chekhov's story.

A wizard invents characters who all come to life and start to arrive at his house: a King, his servants, a princes, a bear trapped in a man's body - the usual lot. The Plot mainly rotates around the bear, who the wizard had turned into a man. The Bear, who wishes to be a bear once again, can turn into his old self if he were to kiss a princess. It gets complicated when he falls in love with that princess, that arrived at the wizard's house. For how can they be together, if a single kiss will destroy their love?

A philosophical and poetic portrait of the famous (or maybe infamous?) Baron Munchhausen. His crazy, yet very merriment, stories, views and behavior is what sets him apart from others. He becomes alienated from the society that failed to grasp his brilliance. In fact, his brilliance is what underlines the faults with the society itself. It's a beautiful yet tragic story that is filled with dense and intellectual dialogue.

Dragon is a bloody dictator, who kills every opponent. People live hopelessly, until Lancelot comes to save the beautiful Elsa. Lancelot can only win, if all people become free from fear, that is feeding the Dragon's power. Dragon's multiple personalities, ranging from a "dragon" to a "samurai" to a "Nazi", scare the hell out of all people, except Lancelot. Finally Dragon drops all his masks, to become the most dangerous of his incarnations - "himself". And the battle begins

Sumptuous filming of the journey of a shipwrecked Japanese expedition from the Pacific Ocean across Siberia to the court of Catherine the Great of Russia. A Russo-Japanese co-production of a unique event in history which was the hit of Cannes and other film festivals but did not receive wide distribution despite its huge scope, high production values, and very human story of culture clash.

A story about life and love of a young girl Anna who moves from her village to a big city.

In 1930s Poland Christian boy Ivan goes to live with a Jewish family to learn a trade. He becomes friends with Abraham, the son of the family. However, anti-Semitism is rife in their environment, and they flee to escape an upcoming conflict. Journeying together, they demonstrate their inseparability.

On the eve of his fortieth anniversary Sergei Makarov looks back at his life and learns that he has achieved nothing. He was not able to be happy and to bring happiness to the closest people in his life, neither to his long-suffering wife nor young mistress nor friends nor work... It is about the men who never grew up and could not find themselves in the time of stagnation – gifted, charming, but infantile and lost, they never were able to realize themselves...