The best Maria Zbyszewska’s movies
If you love cinema, you will share this ranking of the best Maria Zbyszewska’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Maria Zbyszewska.
Our Folks
7.9/10
Two quarreling peasant families, who were forced to leave their lands after the war, are settled by accident on two neighboring farms.
Sekret
6.3/10
Take It Easy
7.5/10
The main characters are the same two quarreling peasant families introduced in "Sami swoi" (Our Folks). The action of the film starts 18 years later. The old quarrels have been forgotten, but new problems keep popping up. They have no successors to inherit the farms. They invent a tricky and clever plan. The young granddaughter is to take over both of the farms after her marriage. Both Kargul and Pawlak have no rest until they carry out the plan. In the end, after numerous adventures and obstacles their cunning intrigue is fulfilled - the young marry and the land remains in the family's hands.
Wściekły
6.3/10
Detective thriller about a killer loose in the crowds. The film follows a sniper on his rounds looking for victims, while a police inspector, with few clues in hand, has to figure out the motive for the killings as well as who the psychopath is and where he might strike next. He uncovers that the mentally deranged sniper can't stand seeing people happy together in public places.
Zaraza
5.6/10
Siedem czerwonych róż, czyli Benek kwiaciarz o sobie i o innych
6.6/10
Silence
6.8/10
Set in a small Polish town just after the war, the story of an unruly teenager who constantly taunts the old priest. One day the youth has a horrible accident, which the villagers call divine punishment.
W cieniu nienawisci
5.2/10
In 1943, Ewa decides to take care of her Jewish neighbour's daughter and brings her home just for a few days. When the ghetto uprising begins, the woman keeps on looking after the little girl.
Only the Dead Can Answer
6.5/10
Police captain Wójcik conducts an investigation into the murder of a cashier from a state-owned enterprise. Despite seemingly numerous leads, the investigation gets stuck in a dead end – the victim had no enemies and nothing was stolen. Despite closing the case Wójcik feels that the key to solving the mystery is the murdered cashier and his past. Exploring this plot, he discovers a full-fledged spy affair, however, trying to catch the real murderer, he’ll have to risk his life, health and career.
