The best Witold Pyrkosz’s movies

In the Napoleonic wars, an officer finds an old book that relates his grandfather's story, Alfons van Worden, captain in the Walloon guard. A man of honor and courage, he seeks the shortest route through the Sierra Morena. At an inn, the Venta Quemada, he sups with two Islamic princesses. They call him their cousin and seduce him; he wakes beside corpses under a gallows. He meets a hermit priest and a goatherd; each tells his story; he wakes again by the gallows. He's rescued from the Inquisition, meets a cabalist and hears more stories within stories, usually of love. He returns to Venta Quemada, the women await with astonishing news.

Jurek Kiler (see the prequel to this movie, "Kiler") has become a VIP - sponsoring the Polish government, playing tennis with the President, and stuff. He must oversee a transfer of a substantial amount of gold. However, in his past activities, he has made enemies. Mighty ones. And thus Jurek Kiler's next adventure begins as he has to face attempts at kidnapping, assassinations, and problems in his love life...

A comedy. The story follows a young scientist in the contemporary world, who actually came from the world of dwarves, thanks to a magic potion, held by the Big Eater, ruler of the dwarves. The dwarf kingdom, Shuflandia, exists in a cellar of a library, and only the most obedient get the chance to grow to king size and inhabit the larger world. Once there, nobody wants to return to Shuflandia. Also, there are no women in Shuflandia.

Two quarreling peasant families, who were forced to leave their lands after the war, are settled by accident on two neighboring farms.

October 1934. Poland. Famous bank robber Kwinto decided to quit his dangerous criminal job, but after his friend's death, he changed his mind and organized a burglary of famous and well protected bank which belonged to his former partner in crime, backstabbing and double-crossing Kramer. Kwinto designs a clever plan not to only rob the Kramer's bank but to make it look like Kramer himself did it.

Set in the 19th century Warsaw. The indolence of aristocrats who, secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to "the doll's" impecunious but influential father, the girl becomes aware of his affection.

A man has been found dead after having been hurled from a train. As security agents, police and a medical examiner piece together his identity, three accounts emerge: one set during World War II, one in the immediate aftermath of the war, and one in contemporary Poland.

A famous Polish journalist presents a problem for the powers-that-be when he displays his full political skill and knowledge on a television show featuring questions and answers on a world conference by a panel of journalists. His enemies take away his privileges when he is away. The shock of being "unwanted" parallels a deeper disappointment in his private life: his wife has an affair with a jealous young rival, and after 15 years of marriage and two daughters wants a divorce. She offers no explanations as he tries to untie these problems himself. All the moves he makes are the wrong ones. He takes on drinking heavily with students eager to attend his seminar after discovering the class has been canceled. The journalist, once suave and commanding is reduced to silence.

A sequel to "Vabank" (1981), introduces the same characters entangled in a duel between a former safecracker and a crooked bank manager.

The main character in this effective, convincing drama is Witold (Tadeusz Bradecki) who is high in what later would be termed the "emotional quotient" or the ability to bounce back from adverse, tragic circumstances. Witold has been nursing both his sick mother and a deeply rooted desire to climb the Himalayas. His father had died climbing in those mountains, and they have an allure for Witold as well. But his dreams begin to crumble when his mother succumbs to her illness and trouble brews at work. The situation becomes bad enough to scramble Witold's life with no indication of future improvement.

Film opens on December 18, 1999, just a few days before the dawn of the new century. A local reporter, Iron Idem, announces that the Martians have landed. Shortly after that his program loses its independence: he is given the script telling the crowds how to welcome the invaders.