The best Marc Porel’s horror movies

Marc Porel

Marc Porel

03/01/1949- 15/08/1983
Today we present the best Marc Porel’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Marc Porel’s movies.

Don't Torture a Duckling

Don't Torture a Duckling
7/10
  • Genre: Horror
  • Release: 29/09/1972
  • Character: Don Alberto Avallone
A reporter and a promiscuous young woman try to solve a series of child killings in a remote southern Italian town rife with superstition and a distrust of outsiders.

The Psychic

The Psychic
6.8/10
A woman with psychic powers has a vision of a murder that took place in a house owned by her husband.

The Sister of Ursula

The Sister of Ursula
5.1/10
While searching for their estranged mother, two beautiful sisters, Dagmar and Ursula, arrive at a luxurious seaside hotel. At the same time, a mysterious killer starts murdering promiscuous women in the area.

Killing of the Flesh

Killing of the Flesh
4.5/10
A group of decadent and filthy rich people arrive at the empty hotel where a deceased rich man lived. Soon they are copulating like crazy and the murders begin...

The Venus of Ille

The Venus of Ille
6.4/10
Set in the 1800s, LA VENERE D'ILLE opens with the discovery of a large bronze statue of Venus on the estate of wealthy landowner Mr. De Perolade. Taking its discovery as a sign of good fortune for the impending marriage of his son Alfonzo, De Perolade orders it to be uncovered and displayed in the garden for all to see. In the process of doing this, one of the workers is badly injured when the statue falls over and crushes his leg. From the start, many of the townspeople believe the statue to be cursed, but De Perolade is proud of his discovery and sends for Matthew, an authority on antiques. Matthew is also impressed with the statue, which seems to exert a strange fascination over him, but before he can search the area for other artifacts, De Perolade implores him to stay at the house as his guest until the wedding is out of the way. He agrees to this and spends much of his time in the garden trying to capture the statue's eerie beauty in a series of drawings.

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