The best Riccardo Parisio Perrotti’s movies

In this erotic thriller (Vittoria Bellevedere) is cast as the stereotypical evil woman who charms innocent men with her physical attractions and then destroys them like a praying mantis munching on her unfortunate mate, head first, just after their sexual union. Unlike the female mantis, this woman slowly ruins the life of the man she has seduced instead of finishing him off immediately - providing fodder for the film, and scenes reminiscent of Fatal Attraction and Basic Instinct.

Vaguely inspired to the real story of boss of the Camorra's bosses Raffaele Cutolo, this is the story of the criminal career of "Il professore" (the professor). He is in prison, and by there he is able to build, step by step, an empire founded on murders and drugs. He starts a war to destroy all the old Camorra bosses and becoming the new "boss of the bosses". With his sister's help he manages to evade from prison and escape in New York. Here he starts immediately a new relationship with "Cosa Nostra" (Italian American Mafia). He is going to seat on the peak of the most powerful criminal organization, and the Italian authorities are almost impotent.

A woman with psychic powers has a vision of a murder that took place in a house owned by her husband.

A mysterious tomb is unearthed in the catacombs under Rome, the contents of which contain evidence of an ageless evil that may once have preyed on man.

Fabio Leone and Paolo Pecora are two police officers from Rome, which together with the careless Neapolitan Ciro Marmotta, are fired from the barracks to have scuppered the plan to capture a secret agent.

Clumsy public security officer helps an adventurer (Laura Antonelli) to escape from Italy. In order not to undergo a punitive transfer to Barbagia, he goes back on the woman's trail to take her to prison.

Fantozzi is now retired but continues to go to the office where it is held up as a fine example of employees intending to do career.

The world of dance can be brutal. The rehearsals are grueling. The competition is fierce. At the Arts for Living Centre in New York City, the best of the best are dying for a part in a major production. But only a select few will be chosen. The selection process seems to be at the hands of mysterious killer who pierces women's bare breasts with a hatpin, puncturing their hearts. Ambition and jealousy appear to be the motive, which makes everybody a suspect!

Ten segments, all starring Johnny Dorelli and all having sex and sexual perversions as main theme.

Over two decades after their affair ended, a married man is haunted by the presence of his former lover.

A building speculator tries in every way to get their clutches on the lands of a pastor. It loses its fortunes playing broom with him. The Commendatore gag, trafficone building Lombard, bursts like an elephant in the quiet of the shepherd Lazio Baldo which would tear the earth, to be speculation. The hostility of the provincial lazy is fought by the invitation to enjoy the hospitality of the suitor and his bourgeois home. This would not be enough, but the ribs of rustic sent you bring Mrs. Greta, wife of the muzzle, and his daughter Paola, a professional student protester. Of course women Baldo receives several favors that little by little the glimpse a new future. The magic moment, however, that transforms the Lazio is given by a game of broom, which Baldo rips at Lombard its fortunes becoming its equal partner.

A young recruit to the Italian army discovers and rejects the seedy world of soldiers who prostitute themselves to supplement their income. But before leaving this world he is raped by a highly-respected senior officer and must decide whether to risk bringing proceedings against him.

Theo is having some bad luck. His barely paid-for truck has been stolen, and credit collectors are after him. The chase leads him across Europe.