The best Malin Morgan’s movies

Malin Morgan

Malin Morgan

02/12/1970 (53 años)
Today we present the best Malin Morgan’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Malin Morgan’s movies.
Genre:

Slim Susie

Slim Susie
6.9/10
  • Genre: Comedy
  • Release: 03/10/2003
  • Character: Sandra
When Erik, a Stockholm urbanite, learns that his beauty-queen sister, Susie, is missing, he goes to their country roots to look for her. But after talking to the eccentric locals -- including a shy video store clerk and a corrupt police officer -- Erik finds a woman who is not at all like the girl he left behind. Award-winning director Ulf Malmros helms this black comedy infused with hipster flair.

God Save the King

God Save the King
6.1/10
A story about a young girl who leaves her hometown to pursue her dream of becoming a famous punk artist.

My Future Love

My Future Love
6.5/10
In 1973, the 20-year-old Svante has a heart condition that the doctors cannot fix. When he has a breakdown on a subway platform, a strange train suddenly appears. He steps into the subway car filled with wonder, without knowing that the destination is the future. In the future he meets Elsa and together they must solve Svante's problems and figure out how to live together when they are from two different eras.

A One-Way Trip to Antibes

A One-Way Trip to Antibes
6.1/10
  • Genre: Drama
  • Release: 30/09/2011
  • Character: Susanne
When George (Sven-Bertil Taube), a half-blind widower, learns that his children (Malin Morgan, Dan Ekborg) have conceived an elaborate plan to get their hands on his assets before he dies, he must confront his life choices. After catching his young home help Maria (Rebecca Ferguson's screen debut) red-handed in the act of stealing, George blackmails her into assisting him in a counterattack, triggering off a chain reaction in the family. George's children discover that he has a secret mistress in France.

Syndare i sommarsol

Syndare i sommarsol
4.7/10
  • Genre: Drama
  • Release: 30/11/2001
  • Character: Sigrid
In the mid-1920s, four young men and women have decided to spend their summer holiday studying together and have rented a wonderful house in the Swedish archipelago. Rationally, they realize that this cohabitation may lead to some of the members being attracted to one another. Thus, in order to avoid unnecessary passions, conflicts, jealousy, grief and enmity, the women sleep in a separate house on the other side of the creek. In spite of believing that they are prepared for anything, and even though they share the task of cooking, their feelings get carried away.

The Supporter

The Supporter
6.5/10
  • Genre: Drama
  • Release: 10/11/2011
  • Character: Girlfriend
The Supporter is a short film that provides an insight into Swedish supporter culture. Through its main character Axel we are drawn into a world of dependency, affirmation and violence. Hooliganism is an ever-present phenomenon, reported on daily in the media. We see how a more organized criminality blends in with families with children and ordinary fans. And all the time we ask the question: 'how close is this violence to ourselves?'

Välkomna tillbaks

Välkomna tillbaks
  • Release: 25/01/2004
  • Character: Angelica's mother
A girl's grief and a father's betrayal.

The Masquerade

The Masquerade
4.9/10
  • Genre: Comedy
  • Release: 26/01/2009
  • Character: Catrina
Marlene turns 35 and celebrates it with a masquerade. One by one, they arrive - the egocentric father, the high-pregnant sister and the best friend with the flirtatious boyfriend. It's like made up for a heavy discharge.

As We're Told

As We're Told
7/10
"It's simple! We do as we're told." This disconcerting reply comes from a Swedish employment office employee when asked how the country’s most unpopular government agency works. And that’s not all: in this creative documentary, case workers, receptionists and psychologists reveal how the Swedish employment system is failing. They complain about inadequate software and mystifying error messages, excessive caseloads and demoralizing results—on average, each case worker helps just 10 people find work each year, and only one in 10 clients will find a new job. To assure the anonymity of the interviewees, they're all represented by cardboard puppets. Thanks to visible puppeteers, expressive eyes and recognizable gestures, these puppets quickly take on the appearance of real people. The result is a fascinating, comical and artistic study of human strategies to get along in an irrational bureaucracy.

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