The best Henrik Dorsin’s movies

After a teenage girl reports a rape, her village ostracizes her and her family.

In this movie adaptation of the TV-Show by the same name, we join the three couples in a comedy about divorces, love, child longing, weird parents and unwritten bathing rules in Torekov.

Following a failed heist, Charles-Ingvar ‘Sickan’ Jonsson ends up in prison. Once released, his gang have become law-abiding citizens and Sickan has to continue on his own. Crime broker Anita tasks him with a simple burglary, but it turns out to be something a lot bigger than Sickan thought it was. Now he needs the help of his past accomplices to carry out the most difficult heist in the history of the gang.

John-John is young and black, growing up with his mother and stepfather in a boring suburb south of Stockholm. On one of the last days of the summer vacation, they rescue 10-year old Patricia from drowning at a public bath in Vinterviken in Lake Mälaren. Her father shows his gratitude by taking them home to the wealthy neighborhood, Bromma, where he and his family lives. John-John meets his daughter Elisabeth, and instantly fall in love with her. But it's a long way to go before he wins her love and her father's consent.

Andersson's boatyard remains after 25 years, still chased by the same stringent, but misfortuned debt collector. TV producer Vonna Jigert wants Andersson to compete against an Italian company and their boat Fortuna in a race on Göta Kanal – live on TV. The race is broadcasted as a reality show. Same gangly canoer like 25 years ago also has a canoeing vacation on the canal when the race starts.

In 1973, the 20-year-old Svante has a heart condition that the doctors cannot fix. When he has a breakdown on a subway platform, a strange train suddenly appears. He steps into the subway car filled with wonder, without knowing that the destination is the future. In the future he meets Elsa and together they must solve Svante's problems and figure out how to live together when they are from two different eras.

A daughter helps her estranged father who's lost his memory.

A magical musical adventure about Annabell Olsson and her quest for the wizard who turned himself into a glass of lemonade and drank himself. 700 years later, it appears that the enchantment is about to be broken...

It's late summer in the small town of Valleby, but the calm is disrupted by bad news. The police station is under threat to be closed, which neither Lasse, Maja nor the chief of police wants. They must find a way to solve the situation.

Mankind has always been on the move. Sometimes escaping from something but often also searching for something else.

In Knohult things havn't changed much. Eulalia is tired of Nisse who's engaged in all sorts of inventions in his workshop or poaching in the forest rather than to repair the water pump. When Eulalia in protest begins swimming in soft drinks and water the plants with spirit Åsa-Nisse sees nothing else to do but to repair the pump. As with all his inventions he adds a few extra features ... When he starts the machine the ground rumbles and up comes oil instead of water! Now, not only Åsa-Nisse, but the whole Knohult sees their chance to become wealthy! But "Dunderpumpen", as he calles the invention, turns out to be stronger than anyone had imagined, and when shady Scanian oil magnates with support of the Swedish government wants their share of the pie Knohult declares themselves a republic...

Hasse and Tage were best friends for over 30 years. Their films, shows, songs and books influenced an entire nation and were the glue that held people's home together. As a comedic duo, they united right-wing ghosts and anarchists in laughter. When Tage dies prematurely, his children lose a father, Hasse a father figure and all of Sweden a country father. And when Palme dies just months after Tage, the Swedish stable society begins to crumble. For the first time, the Alfredson and Danielsson families open up the archives and give us exclusive access to their stories, photographs and recordings.

"It's simple! We do as we're told." This disconcerting reply comes from a Swedish employment office employee when asked how the country’s most unpopular government agency works. And that’s not all: in this creative documentary, case workers, receptionists and psychologists reveal how the Swedish employment system is failing. They complain about inadequate software and mystifying error messages, excessive caseloads and demoralizing results—on average, each case worker helps just 10 people find work each year, and only one in 10 clients will find a new job. To assure the anonymity of the interviewees, they're all represented by cardboard puppets. Thanks to visible puppeteers, expressive eyes and recognizable gestures, these puppets quickly take on the appearance of real people. The result is a fascinating, comical and artistic study of human strategies to get along in an irrational bureaucracy.