The best Mads Riisom’s movies

In the days following the surrender of Germany in May 1945, a group of young German prisoners of war is handed over to the Danish authorities and subsequently sent to the West Coast, where they are ordered to remove the more than two million mines that the Germans had placed in the sand along the coast. With their bare hands, crawling around in the sand, the boys are forced to perform the dangerous work under the leadership of a Danish sergeant.

Opening in the seductive style of the sixties, »A Funny Man« uncovers the perennial loneliness that comedian Dirch Passer (Nikolaj Lie Kaas) has found himself in after a fast-tracked rise to fame. He struggles between his own desire to gain critical respect and servicing the audience¿s needs. Costing his kindred friendship to on-stage partner Kjeld Petersen (Lars Ranthe) Dirch takes on Steinbeck's classic »Of Mice and Men«, only for the audience to break out in laughter at his first line. Dirch's Lennie becomes a running joke, and so has, Dirch believes, his own life.

A film about an eccentric man of the world called God, who lives in an ordinary detached house with his family: his Swedish wife Gerd Lillian and his two youngest sons, Thomas and Jens. The oldest son, Mikkel wants nothing to do with God, so-called because he treats the world as his own creation. In reality, God is a man with a mild dependency on alcohol. Omniscient and inspirational, he rules his subjects with love, cunning and an iron rod (not to mention spirit). A rebellion is quietly looming in the shape of his sons and Gerd Lillian, but it comes to nothing when God is diagnosed with cancer and compassion replaces anger. However, when God is seemingly cured of his disease, his sons unite in their desire to kill God - if the cancer couldn't do it, they must. God survives, but the cancer returns - this time with a vengeance. Only when God realises that his final hour is upon him is he able to relinquish his kingdom and set his subjects free. In death, God takes on a human guise.

The young woman, Marie, is an outsider in the small coastal community where she has grown up. The townspeople live in fear of her and not least her mother, who is wheelchair bound, suffering from a mysterious illness. When Marie discovers her body changing – long hair growing on her chest and back – she begins searching for answers concerning her family’s hidden past. Something that will have great consequences for herself and her family – and the choices she has to make.

Johannes lives together with his father, the middle-aged widower Ulrik in a small fishing town in the northern part of Denmark. They live a quiet routine life, each minding their separate jobs in the fishing industry. Ulrik misses the love and tenderness of a woman and arranges for the young, beautiful, Filipino Rosita to come to Denmark - just as many other men in the town have done before him. Johannes is reluctantly drawn into this as Ulrik's translator. However, over the following weeks Johannes and Rosita are getting more and more attracted to each other which forces Johannes to take responsibility for his dreams and his future.

Jas lives together with his father, who is a truck driver and spends lot of time away from home. One day, Jas finds a girl and an old lady hiding in the barn. They call themselves Neia and Alva and have strange clothes and hair. They say they live in the woods but cannot return. Soon, couple of secret service agents show up and start asking a lot of questions. Soon they figure out that they're poachers looking for healing gem of the elves. Jas, together with his best friend Isaac, decides to help their new friends against the poachers.

The tale of a troubled small town, and the brave few who made it their mission to keep the community together. As the citizens of a secluded Danish town gradually lose their trust in one and other, the sight of a naked man walking through town in the early hours of the morning sets off an unsettling wave of paranoia.

Overwhelmed and extra-sensitive, Katrine has a hard time coping when her more relaxed boyfriend, Andreas, takes a business trip just days after the birth of their first child. The fussy baby has difficulty breastfeeding, and vulnerable, insecure Katrine feels like a failure. When Katrine’s emotionally withholding mother Lise consents to stay for a few days, the two quickly fall into what are clearly familiar dysfunctional behavior patterns.