The best Esben Dalgaard Andersen’s movies

The Shamer's daughter, Dina, has unwillingly inherited her mother's supernatural ability. She can look straight into the soul of other people. When the sole heir to the throne is wrongfully accused of the horrible murders of his family, it is up to Dina to uncover the truth, but soon she finds herself whirled into a dangerous power struggle with her own life at risk.

13-year-old Benjamin discovers that his mother didn’t die in an accident as he was led to believe. The trail leads to high-ranking officials in the Danish Secret Service. "Trust no one!", he is told.

The young woman, Marie, is an outsider in the small coastal community where she has grown up. The townspeople live in fear of her and not least her mother, who is wheelchair bound, suffering from a mysterious illness. When Marie discovers her body changing – long hair growing on her chest and back – she begins searching for answers concerning her family’s hidden past. Something that will have great consequences for herself and her family – and the choices she has to make.

The Danish ambassador to Washington declares himself to be the sole representative of a free Denmark during the Nazi occupation

Jas lives together with his father, who is a truck driver and spends lot of time away from home. One day, Jas finds a girl and an old lady hiding in the barn. They call themselves Neia and Alva and have strange clothes and hair. They say they live in the woods but cannot return. Soon, couple of secret service agents show up and start asking a lot of questions. Soon they figure out that they're poachers looking for healing gem of the elves. Jas, together with his best friend Isaac, decides to help their new friends against the poachers.

The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge

It’s summer in Copenhagen, it’s a time of endless days and careless nights. Simon is a 23-year-old medical student. He and his friends party and drink and chase girls and wake up the next day to do the whole thing all over again. But it’s also a time of unrest and change among the boys. Dreams shatter, love hurts, and friendships dissolve.