The best Luna Picoli-Truffaut’s movies
Today we present the best Luna Picoli-Truffaut’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Luna Picoli-Truffaut’s movies.
Rosalie Blum
6.8/10
Vincent Machot knows his life by heart. He shares it between his hair dressing salon, his cousin, his cat, and his too-invasive mother. But life sometimes holds surprises, even for the most prudent of people... He crosses paths with Rosalie Blum by accident. She is a mysterious and solitary woman whom he is sure he has already met. But where? Intrigued, he decides to follow her everywhere, in the hope of knowing more about her.
Stalin's Couch
4.7/10
Set in the 1950s Soviet Union, centers on a young artist who is commissioned to create Stalin's monument and must go through KGB scrutiny.
The Portuguese Woman
6.5/10
North of Italy, the von Ketten dispute the forces of the Episcopate of Trent. Herr Ketten seeks marriage in a distant country, Portugal. After their honeymoon journey back home, Ketten leaves again for the war. Eleven years elapsed… Rumours are running about the presence of that 'foreign' in the castle. Some say she's a heretic. Until one day, the Bishop of Trento ends up dying and, with the signature of peace, falls the background of von Ketten's life. Will the Portuguese win, where death seems to be moving in?
Two Rémi, Two
5.5/10
Thirty years old, a nothing job, a timid love affair: Rémi is a little at sea in his life. Until the day when he must share it with his double, another him, invasive and not so nice. Which one will be the true Rémi?
Correspondences
6.1/10
Jorge de Sena was forced to leave his country. First he moved to Brazil, and later to the USA. He never returned to Portugal. During his 20-year-long exile, he kept an epistolary correspondence with Sophia de Mello Breyner Andresen. These letters are a testimony of the profound friendship between the two poets, letters of longing and of desire to “fill years of distance with hours of conversation”. Through excerpts and verses, a dialog is established, revealing their divergent opinions but mostly their strong bond, and their efforts to preserve it until their last breaths.
The Adolescent
8.2/10
Pierre Léon ingeniously condenses and updates Dostoevsky’s novel about a 19-year-old intellectual reconnecting with his estranged family in his impressive debut feature.
