The best Philippe Paimblanc’s movies
Today we present the best Philippe Paimblanc’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Philippe Paimblanc’s movies.
Amélie
8.3/10
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
Taxi 3
5.8/10
A gang of thieves calling themselves the Santa Claus Gang are wreaking havoc, and the police can't keep up. Police Captain Gilbert is distracted by a Chinese reporter writing a story on his squad, and taxi driver Daniel is in the midst of a relationship crisis. After a string of mistakes in which the thieves outsmart the police time and time again, Daniel and his super-taxi pitch in.
Goodbye First Love
6.7/10
A 15-year-old discovers the joys and heartaches of first love with an older teen, but in the ensuing years, cannot seem to move past their breakup.
Rosalie Blum
6.8/10
Vincent Machot knows his life by heart. He shares it between his hair dressing salon, his cousin, his cat, and his too-invasive mother. But life sometimes holds surprises, even for the most prudent of people... He crosses paths with Rosalie Blum by accident. She is a mysterious and solitary woman whom he is sure he has already met. But where? Intrigued, he decides to follow her everywhere, in the hope of knowing more about her.
Something in the Air
6.4/10
During the 1970s a student named Gilles gets entangled in contemporary political turmoils although he would rather just be a creative artist. While torn between his solidarity to his friends and his personal ambitions he falls in love with Christine.
Father of My Children
6.8/10
Grégoire Canvel has everything a man could want. A wife he loves, three delightful children and a stimulating job. He's a film producer. Discovering talented filmmakers and developing films that fit his conception of the cinema-free and true to life-is precisely his reason for living. Yet his prestigious production company, Moon Films, is on its last legs. Too many productions, too many risks, too many debts. Storm clouds are gathering. But Grégoire ploughs on at all costs. Where will his blind obstinacy lead him?
