The best Lotte Loebinger’s movies
If you love cinema, you will share this ranking of the best Lotte Loebinger’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Lotte Loebinger.
Heart of Stone
7.3/10
Lavish adaptation of Wilhelm Hauff′s fairy tale: Young charburner Peter Munk dreams of joining the upper class. He makes a deal with the sinister Holländer-Michel, who offers to trade Peter′s human heart for one made of stone. Once he has the "cold heart" in his body, Peter eventually strikes a fortune and enjoys great wealth, but at the same time, he becomes a bitter and emotionless man – and, having lost all traces of humanity, even murders his wife Lisbeth. Only then does Peter Munk finally realize what has become of him, and he decides to regain his real heart from Holländer-Michel.
Grüne Hochzeit
7.1/10
Susanne (17) and Robert (18) want to get married, but because Susanne is still under-aged, she needs parental permission. With twin babies and tight finances, the newlyweds soon feel overwhelmed, and dealing with everything makes them forget the love that originally brought them together.
Somewhere in Berlin
6.7/10
After WWII, Berlin lies in ruins. For Gustav, Willi and their friends the rubble provides an adventurous, dangerous playground. Especially for Gustav, it helps pass the time, as he longs for his father's return from a POW camp. One day a stranger arrives, looking helpless and hopeless... Gerhard Lamprecht built his reputation during the 1920s and '30s with films like Emil and the Detectives (1931, script Billy Wilder) and socially-critical Berlin films based on the drawings of Heinrich Zille. In Somewhere in Berlin-his first postwar film, made just months after the cessation of hostilities-he portrays the people of the shattered city with precision and psychological realism.
Ernst Thälmann - Sohn seiner Klasse
6.4/10
First of two propaganda films about German communist leader Ernst Thälmann that follows him from the Western Front in 1918 through the Hamburg Uprising of 1923.
The Moorhound
7/10
Two boys are helping the border guards to find a mysterious moor hound used by spies to transfer messages across the border.
Jahrgang 21
6.4/10
Film by Václav Gajer.
When Martin Was Fourteen
6.9/10
Martin′s and his girlfriend′s Kathrin′s childhood comes to an abrupt end in 1920, when their Mecklenburg village is drawn into the events surrounding the Kapp putsch. By accident, Martin discovers a charge of weapons that land owner von Bröder had put away for the reactionary forces, and gives them to the workers in the city. When the village starts to organize a strike against the putsch, soldiers arrive at the village to hold down the residents of the village.
The Prince Beyond the Seven Seas
6.2/10
The merchant's daughter Constanze, begs her father to ask a lion for a favor. Her father approaches the lion who agrees to his request with one condition: that he send the first person he meets upon his return home to the lion's den. It is Constanze. Against her father's will she goes to the lion and discovers that he is an enchanged prince and that only a woman's love can release him from the spell.
Der Kampf
5.5/10
Destinies of Women
6.5/10
Berlin, seven years after WWII. Four women are looking for happiness and a good man in the divided city. Their destinies are loosely connected through one person: the West Berlin dandy and womanizer, Conny. Released at the peak of East German cultural and political dogmatism, the film was heavily critiqued, especially by female party leaders who objected that its portrayal of the four women did not represent the qualities that characterized women in the new society. Now considered as a richly contradictory work, Destinies of Women represents an encore production by the Dudow/Eisler/Brecht creative team that also made Kuhle Wampe in 1932.
Jan on the Barge
6.9/10
1934, Germany. Jan is a 13 year old boy, who is raised without a mother. His father, a communist, is accused of a political murder, and predicted to be shot by the police when he was on the run. Jan lives with his aunt and finds a friend, Max, who wants to help him to find out what really with his father happened. During a conspirative gathering Max is shot by SA (Nazi paramilitary) and Jan succeed to escape in a barge. Erika, the daughter of the captain of the barge, and a boatman hide him. They try to help Jan to escape from police and find his father, who really survived.
Der Teufel vom Mühlenberg
7/10
This film is set in a medieval mill town in the Harz mountains. The greedy and brutal millman and his accomplices, the castle steward and the mayor, set fire to a forest mill that the farmers used for processing their grain. Without their mill, the farmers must now rely on the millman's services. When the farmhand Anna uncovers the millman’s crimes, he swiftly detains her and a young miller, Jörg. The forest spirits have a different plan, however, and they free the young couple with the charge to rebuild the ruined forest mill and turn things around for the villagers.
Musterknaben
7/10
Two young building workers are more interested in girls than their work; complications ensue at home.
When Unku was Ede's Girlfriend
6.8/10
Ede falls in love with Unku, a girl from a travelling circus. Love cannot run smoothly however because Unku is a Gypsy. Various adventures take place before love is finally allowed to run its natural course.
Marriage in the Shadows
7.2/10
Set during the rise of the Nazi regime, Elisabeth Maurer and Hans Wieland enjoy successful careers as actors in Berlin. Confident in her career, Elisabeth, who is Jewish, ignores the advice of a colleague to leave Germany in the face of increasing anti-Semitism. Believing that he can protect her if she becomes his wife, Hans convinces Elisabeth to marry him. In the following years, as Hans's career thrives, Elisabeth awaits the end of the Nazi terror which bars her from public life. When the situation worsens in 1938 with the Kristallnacht pogrom, Elisabeth decides to leave the country, but Hans, who still believes he can protect her, convinces her to stay with him.
Street Acquaintances
7.2/10
The film centres around the young woman Erika, desperately seeking for love and escape from the depression of the times, drifting, and in the end becoming involved with a circle of rich people who sell goods for sexual favours.
Einmal ist keinmal
4.2/10
Actually, the Düsseldorf musician and composer Peter Weselin only wanted to spend his placid vacation with his uncle in the Vogtland village of Klingenthal. But in the city famous for its manufacture of musical instruments, the annual music festival is about to start. For the festival, the accordion factory asks Peter for a large composition for the symphonic orchestra. Furthermore, cute Anna asks him to write a pop song for her youth dance band. Thus, Peter finds no rest during his vacation.
Semmelweis – Retter der Mütter
6.4/10
52 Wochen sind ein Jahr
Krestan Serbin, a 64-year-old Sorbian farm-worker, considers himself non-political. He owns a few acres, a few pigs and a cow, and intends to pass all this on to his daughter Lena. Lena, however, shows only little interest. Krestan’s situation becomes more difficult when he is meant to become integrated into the agricultural production cooperative. He even gets offered a position as Training Supervisor. Although Krestan does not oppose the new policy, he is unwilling to surrender his properties. When the political die-hards who intend to hinder the progressive movement try to win him over, Krestan realizes that it is time to show colours.
Declaration of Love to G.T.
Dr. Gisa Tonius, a physicist in her thirties who has a nearly adult stepdaughter, cherishes the desire to have her own child. Suddenly, a big interdisciplinary research project threatens to significantly change Gisa′s life. Uncertain whether to look for professional or private fulfillment she asks her family and friends for their opinions. They all have different views on the point at issue. While her husband is afraid of losing her to her profession, her professor thinks that because of her talent she has an obligation towards science. In the end, Gisa reaches a decision: She wants to have a baby as well as take on the research project.
