The best Linda Arvidson’s crime movies

This one-reeler is regarded as a Griffith thriller. It engages with the Chinese White slave traffic from the perspective of a female detective, Marion Leonard, whose assignment is to expose and break the traffic ring.

Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.

Mrs. Wharton, a dashing widow, gives a party at her beautiful villa in honor of the presentation to her of a handsome diamond necklace by her fiancé. During the evening bridge participated in by a number of the guests, among whom is Myrtle Vane. Miss Vane is playing in wretched luck, and is advised several times by Mrs. Wharton to desist, but she still plays on in the vain hopes of the tide of fortune turning, until at last, in the extreme of desperation, she stakes her all and loses. Shame and disgrace stare her in the face. What can she do to recoup her depleted fortune? As one of the guests there is Professor Francois Paracelsus, the eminent palmister, who of course, was called upon to read the palms of those present. Sheets of paper were prepared and each imprinted their hand on a sheet to be read by the erudite soothsayer at his leisure, and so were left on the drawing room table.