The best Harry Solter’s movies

Two miners are fighting over a woman, and one is about to murder the other in his sleep. At the critical moment, the woman introduces her fiancé from the city.

A Greek woman marries a struggling sculptor. When he can't support her and their baby, she offers to sell herself as a slave to allow them to buy food.

A man arrives home late and drunk as usual. His wife reminds him that he's supposed to take their daughter out to a play. While watching the play, he's faced with his own drinking evils and how his life would be without them.

After a judge (Harry Solter) does his job and sentences a man, a gypsy woman (Marion Leonard) erupts in vehement protests and has to be taken forcefully out of the courtroom. Later the gypsy follows the judge to his home and plots a vicious revenge on his wife (Florence Lawrence).

Mack Sennett appears as a butler and a policeman in this film produced by the Biograph Company.

"Fine feathers make fine birds." and handsome gowns make handsome women, and a handsome woman is the most fascinating thing extant. Hence it is when Isabelle appears on the scene clad in a gown that is a masterpiece of the dressmaker's art she easily fascinates the male contingent, among whom is Enrico, the sweetheart of Veronica, a street singer. Enrico is so enraptured at the sight of Isabelle in her resplendent attire that he becomes her abject slave, casting aside the poor, peasant-clad little Italian street singer, who has loved him devotedly. Crushed almost beyond endurance the poor girl stands sobbing at the entrance of the park where the inconsistent lever left her. Her tears attract the attention of a wealthy young couple who happen to pass. In answer to their queries she tells them how contemptibly her sweetheart acted, and all because of the fascinating influence of a gown.

After three years at sea, Edward returns home to find his sweetheart forced into an engagement with a much older man.

A girl from the New York slums falls in with crooks. After her love is arrested following a barfight turned deadly, her life seems directionless- that is, until she's saved from the streets by a band of Salvationists. She enrolls, and soon afterward encounters her former love in the same bar- but her faith is real, and strong.

The central figure is an old miser, a Harpagon of sorts, who, like Frosine, stashes his ill-gotten money in a secret cellar. While the miser is at the bank, exchanging stolen notes for gold coin, a couple of thugs witness the transaction and see their opportunity-- It seems avarice grips the hearts of all those who'd possess the bag.

Mack Sennett appears as a policeman in this film produced by the Biograph Company.

Based on Shakespeare's play. Petruchio courts the bad-tempered Katharina, and tries to change her aggressive behavior.

A son leaves to seek his fortune in the city. Many years later he returns and checks into his parents' inn. They don't recognize him, but noticing his fat wallet, plan to rob him.

A young couple are enjoying a romantic interlude in the young woman's home, when her father discovers them and angrily chases the young man out of the house. They thus decide to elope, and they make plans accordingly. But as they are leaving, a thief discovers their plans, and he decides to turn the situation to his own advantage.

At a political club, the members debate whose bust will replace that of Theodore Roosevelt. Unable to agree, each goes to a sculptor's studio and bribes him to sculpt a bust of the individual favorite. Instead, the sculptor spends their fees on a dinner with his model during which he becomes so inebriated that he is taken to jail. There he has a nightmare, wherein three busts are created and animated from clay (through stop-motion photography) in the likenesses of Democrat William Jennings Bryan and Republicans Charles W. Fairbanks and William Howard Taft. Finally an animated bust of Roosevelt appears.

Two lovers elope and expect to be pursued by her father. But the clever father has tricked them into running off, and celebrates their wedding when they return home.

George Redfeather, the hero of this subject, returns from Carlisle, where he not only graduated with high honors, but was also the star of the college football team. At a reception given in his honor by Lieut. Penrose, an Indian agent, the civilized brave meets Gladys, the lieutenant's daughter, and falls desperately in love with her.

This one-reeler is regarded as a Griffith thriller. It engages with the Chinese White slave traffic from the perspective of a female detective, Marion Leonard, whose assignment is to expose and break the traffic ring.

Adaptation of a poem written by Thomas Hood.

Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.