The best Lillian Roth’s movies
Today we present the best Lillian Roth’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Lillian Roth’s movies.
Alice, Sweet Alice
6.4/10
Alice is a withdrawn 12-year-old who lives with her mother and her younger sister, Karen, who gets most of the attention from her mother, leaving Alice out of the spotlight. When Karen is found brutally murdered in a church, suspicions start to turn toward Alice. But could a 12-year-old girl really be capable of such savagery?
Madam Satan
6.3/10
Angela and Bob Brooks are an upper class couple. Bob is an unfaithful husband. Angela has a plan to win back his affections.
Animal Crackers
7.4/10
The well-known explorer and hunter Captain Spaulding has just returned from Africa, and is being welcomed home with a lavish party at the estate of influential society matron Mrs. Rittenhouse when a valuable painting goes missing. The intrepid Captain Spaulding attempts to solve the crime with the help of his silly secretary Horatio Jamison, while sparring with the anarchic Signor Emanuel Ravelli and his nutty sidekick The Professor.
The Love Parade
7/10
The queen of mythical Sylvania marries a courtier, who finds his new life unsatisfying.
Paramount on Parade
5.7/10
This 1930 film, a collection of songs and sketches showcasing Paramount Studios' contract stars, credits 11 directors (including Dorothy Arzner, Ernst Lubitsch, Victor Schertzinger and Edmund Goulding). The cast features Clara Bow, Gary Cooper, Fredric March, Jean Arthur, William Powell, Maurice Chevalier, Kay Francis, Buddy Rogers, Jack Oakie, Stuart Erwin and Nancy Carroll.
Ladies They Talk About
6.6/10
A moll, imprisoned after participating in a bank robbery, helps with a breakout plot.
Sea Legs
5.6/10
Searchlight Doyle, lightweight boxing champion of the United States Navy, is shanghaied into the fleet of Sainte Cassette, an island republic, as a replacement for a wealthy slacker who must serve his country to receive a $2 million inheritance, a scheme concocted by attorney Gabriel Grabowski. All his shipmates, except Hyacinth Nitouche, assume that he is indeed the wastrel he purports to be. Doyle falls in love with Adrienne, the most beautiful of the captain's daughters, and wins her affections by treating his comrades in her teashop. Admiral O'Brien, grandfather of the man Doyle is impersonating, comes to visit, and mistaking him for a civilian, Doyle throws him overboard and to everybody's surprise is complimented on his vigilance. But his real identity is exposed by some American sailors, and he is suspected of killing young O'Brien; he is cleared of suspicion, however, and is reinstated by the admiral, thereby gaining Adrienne's love.
The Vagabond King
5.3/10
The story takes place in medieval France. Poet-rogue Francois Villon, sentenced to hang by King Louis XI for writing derogatory verses about him, is offered a temporary reprieve. His hanging will be postponed for 24 hours, and in that time he must defeat the invading Burgundians and win the love of the beautiful Katherine.
Night-Flowers
6/10
Two Vietnam vets, Tom and Nordi, live sad lives in a crumbling New Jersey town. Sharing a one room apartment, they talk about their inability to hold down real work, struggle to get noticed at the VA and fail to connect with women. This changes for Tom when he meets Marcella and they begin a relationship. However, he can't escape his past with Nordi and the co- dependent, toxic relationship soon takes a gruesome turn.
Ain't She Sweet
6.5/10
19th century song pluggers in vaudeville theaters and in the streets invited audiences to join in the chorus; this tradition of participation appeared in movie theaters by the mid-teens. When sound arrived, Fleischer Studios’ delightful “Screen Songs” added witty animated prologues and celebrity singers to prepare the audience for the ball that bounced through the lyrics.
Masks and Memories
6/10
In this musical short, three individuals try to entice a reclusive uncle to join the festivities during Mardi Gras.
Story Conference
6/10
A movie producer announces that Lillian Roth has been signed to do a movie and he calls a story conference with a director and writers to come up with an idea for the film. As they work through some ideas, performers act out those possibilities via song and dance numbers.
