The best Lars von Trier’s movies
Today we present the best Lars von Trier’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Lars von Trier’s movies.
The Idiots
6.7/10
With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
Side by Side
7.6/10
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
Europa
7.5/10
Postwar Germany, 1945. Leopold Kessler, an American of German descent, works as a sleeping car conductor for the Zentropa railway line. When he meets Katharina Hartmann, the railroad owner's daughter, and they fall in love, his life intersects with the dark and violent path of a mysterious organization opposed to the United States army military occupation.
To Each His Own Cinema
6.8/10
A collective film of 33 shorts directed by different directors about their feeling about cinema.
Trespassing Bergman
7.2/10
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, eighty nautical miles off the east coast of Sweden. He left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, have traveled to Fårö in search of the genius and his legacy. (An edited version of the Swedish mini-series “Bergmans video,” 2012.)
Dogville Confessions
6.6/10
This film depicts the intense drama that takes place during the making of Dogville. Lars von Trier and Nicole Kidman work through this creative process under very extreme conditions.
The Kingdom II
The series is set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget". "Riget" means "the realm" or "the kingdom" and leads one to think of "dødsriget", the realm of the dead.
The Boss of It All
6.6/10
An IT company hires an actor to serve as the company's president in order to help the business get sold to a cranky Icelander.
The Five Obstructions
7.4/10
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
The Kingdom
8.2/10
The first part of a Danish miniseries that has been edited into two massive films, "Riget" is set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget". The show follows a number of characters, both staff and patients, as they encounter bizarre phenomena, both human and supernatural.
Epidemic
6/10
A director and a screenwriter write a screenplay together about a globally spreading epidemic. Unbeknownst to them, an outbreak develops around them in the real world.
The Element of Crime
6.7/10
Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.
Bergman: A Year in a Life
7.4/10
A focuses on 1957, one of the most prolific years for the Swedish director. During the year he shot two films, opened two of his most celebrated films (The Seventh Seal and Wild Strawberries), and produced four plays and a TV movie while juggling with a complicated private life.
Arteholic
6.5/10
Palm Springs resident and film and art legend Udo Kier is "arteholic". He lives, breathes and makes art and at times he is even a living art piece. In this playful docu-fiction, we follow Udo on a road trip through famous museums in Frankfurt, Cologne, Paris, Copenhagen and Berlin, and eavesdrop as he chats with artists including Marcel Odenbach, Rosemarie Trockel, Jonathan Meese and Tobias Rehberger and filmmakers such as Nicolette Krebitz and Lars von Trier.
The Story of Film: An Odyssey
8.4/10
The story of international cinema told through the history of cinematic innovation. Covering six continents and 12 decades, showing how film-makers are influenced both by the historical events of their times, and by each other.
Ernst-Hugo
A gripping portrait of the dramatic, extravagant and ego-centric actor Ernst-Hugo Järegård (1928-1998) who would always be at the center of everything. On the out side he was a hailed and confident diva. In his solitude he was plagued by insomnia, anxiety and a complicated relationship with his father. Includes Ernst-Hugo Järegårds last performance "Aktörens läte/ The sound of the actor" (1998) and "Abstract Poker" (1971).
The Humiliated
6.5/10
A very intimate look on Lars von Trier and his cast and crew, during the production of "The Idiots".
The Early Years: Erik Nietzsche Part 1
6.2/10
Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.
The Orchid Gardener
4.8/10
A young, mentally ill man, a visual artist in crisis Victor Marse (Lars von Trier) meets two nurses (Eliza and her girlfriend) during his stay in a sanatorium. These nurses are obvious lesbians. Victor lives with Eliza and her son. He imagines another woman when he is roaming at a coast. He pretends committing a suicide but Eliza does not react to it. Every moment, he stays in front of a blank canvas and thinks. Meanwhile he dresses into Nazi clothes or into women dresses, then he leaves to go to the cinema, and abuses and probably kills a small girl. His masochistic affair with Eliza lasts; he is close to shooting her with a gun but instead she takes out a whip. Victor goes along the streets then he lies naked in front of the canvas on which he has left his bloody fingerprints. After this he drives a funeral car to his work - he is employed in a garden where orchids are grown. Eliza is now the past and in the end, Victor might be dead as someone drives a cross into the ground.
The Idiots Who Started The Party
Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.
