The best Lars von Trier’s comedy movies

Lars von Trier

Lars von Trier

30/04/1956 (68 años)
Today we present the best Lars von Trier’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Lars von Trier’s movies.

The Idiots

The Idiots
6.7/10
  • Genre: ComedyDrama
  • Release: 28/04/1998
  • Character: Interviewer (voice)
With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.

The Boss of It All

The Boss of It All
6.6/10
  • Genre: Comedy
  • Release: 21/09/2006
  • Character: Narrator
An IT company hires an actor to serve as the company's president in order to help the business get sold to a cranky Icelander.

To Each His Own Cinema

To Each His Own Cinema
6.8/10
A collective film of 33 shorts directed by different directors about their feeling about cinema.

The Early Years: Erik Nietzsche Part 1

The Early Years: Erik Nietzsche Part 1
6.2/10
  • Genre: ComedyDrama
  • Release: 25/12/2007
  • Character: Narrator
Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.

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