The best Ditte Hansen’s movies

Minna, a young girl, misuses her newfound ability to create and control other people’s dreams to teach her bothersome stepsister a lesson. When her stepsister can no longer wake up, Minna has to enter the dream world to save her.

Ditte and Louise are two middle-aged actresses who realize that the only thing the industry has left to offer them are roles like mothers or as elderly prostitutes. That is why Ditte makes a radical decision: She dresses up like a man.

This time our already familiar family moves to Africa in order to save endangered wildlife.

Jonas is a Copenhagen homicide scene photographer, happily married, with two kids. One day, his car stalls, another car slams into him, runs head on into a third car and flips into the ditch. The other driver, Julia, is critically injured. He visits her in the hospital and is greeted by her family, who assumes he must be the Sebastian she told them about, the new fiance she met in Vietnam.

Jesper Jensen is a successful IT salesman who stops at nothing, even if it means backstabbing his best friend. Being number one in the company and having a beautiful wife and a lovely home, Jesper seems to lead a perfect life, but one day his arrogance and self confidence hits him in the face like a boomerang and he loses everything overnight. Jesper is sentenced to do community service at a recycling center with the odd and funny characters Dion, Theodor, and Lotte. At first he looks down on these people and doesn't want to be associated with them. When he begins to loosen up, however, he discovers that he can learn a lot from their straight forward and honest approach to life.

New mother Line is living the high life in Hong Kong with husband Bjørn when she discovers that he has been unfaithful to her with their Filipino nanny, so Line takes her baby son and heads back to her old hometown in southern Funen.

Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.

When a Japanese family moves in next door, Per and Shin, the same age, instantly become friends. But after the boys cut school, each set of parents' blames the other, causing a rift between neighbors. What will it take for the two families to reconcile their differences?

My sister's kids this time are going to Jutland.