The best Kotone Furukawa’s movies

An unexpected love triangle, a failed seduction trap, and an encounter that results from a misunderstanding are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.

Two people meet each other after missing the last train home, leading to a beautiful relationship over five years.

12 boys and girls gather at an abandoned hospital to die for various different reasons. There, they find the body of a dead boy. The 12 boys and girl attempt to find the person who killed the boy. During their search, the reasons why they want to die are revealed.

15 short films with an animated end-title sequence by young women directors born in late ‘80s to ‘90s.

Hisashi Tanaka is a medical student in Hokkaido Prefecture, Japan. He does volunteer work and gets to know Yasuaki Kano at the hospital. Yasuaki Kano has suffered from muscular dystrophy since he was 12-years-old. Yasuaki Kano has his eccentric ways like running out of the hospital and saying that he wants to eat a banana late at night. Hisashi Tanaka thinks Yasuaki Kano is a lovely person. Yasuaki Kano develops a crush on rookie volunteer Misaki Ando. He asks Hisashi Tanaka to write a love letter for him, but Misaki Ando is Hisashi Tanaka’s girlfriend.

A man is caught on live national TV naked and drunk in the middle of the sacred Namahage festival, where men dressed in ogre-like costumes visit homes to scare kids into behaving during the next year. Tasuku, a young father, is ostracized for shaming the village and its tradition and flees to Tokyo alone. Two years later, he returns to his hometown to make it up to his ex-wife and their little daughter, only to find himself faced with a very difficult situation.

The novelist Shiga Naoya lives with his wife Haruko and their 4-year-old daughter Saeko. He is paranoid about Saeko’s health, making her wear heavy clothes even in summer in order to prevent her from catching a cold. Their child before Saeko died due to an epidemic, and he believes thorough enforcement is a natural consequence. In 1918, the Spanish flu reaches Japan. As the number of infected people grows, Shiga starts to suspect their servant Ishi might have gone to watch a travelling entertainment troupe’s performance which drew a great number of villagers. It is something Ishi is likely to do. But when Shiga questions her, she says that she did not go. However, she makes him have misgivings on a regular basis and he decides to take this opportunity to make her quit. An uproar ensues. Shiga feels that he has become a tyrant and refrains from kicking her out but he loses all reason and faith in humanity amid the pandemic…

In Tokyo, Chiwawa is a popular girl. One day, her dead body is found in Tokyo Bay. Her body are in pieces. Chiwawa's friends gather to remember her, but they realize they do not know anything about her like her real name or her background.

Arakawa Ao lives happily on his own and hardly ever leaves Shimokitazawa, where he works at a vintage clothing shop, goes to occasional concerts and hangs out at his favorite bar. Then, he gets an unusual request to appear in an independent film.

The original screenplay was written for the compilations’ release, taking inspiration from KIRINJI’s songs, as well as from the Melancholy Mellow theme which is also the releases title.

A love story woven by a loveless mistrust girl, Kaede Tamaki who works for a small video production company, and a mysterious young man Seishiro who is attracted by her . Satomi Oshima and Kentaro Hagiwara, who also teamed up for the currently released movie "30 Minutes to Sayonara", were responsible for the script and directing, respectively.

Consensual polyamorous relations between Hiroki, Natsuki, and Kanako are injected with palpable tension following their cohabitation, resulting in an unexpected turn of events.

A four-part film done in the unique style of each director, Matusbayashi Urara gives a portrayal of a struggling actress named Machiko who lives in Kamata. Machiko is the central axis of the movie as the film comically depicts what it means to be a "woman" and an "actress" in society through showing the patterns of life as conducted by her and the people that surround her.