The best Kotone Furukawa’s drama movies
We present our ranking of the best Kotone Furukawa’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Kotone Furukawa.
Wheel of Fortune and Fantasy
7.5/10
An unexpected love triangle, a failed seduction trap, and an encounter that results from a misunderstanding are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.
12 Suicidal Teens
5.8/10
12 boys and girls gather at an abandoned hospital to die for various different reasons. There, they find the body of a dead boy. The 12 boys and girl attempt to find the person who killed the boy. During their search, the reasons why they want to die are revealed.
Any Crybabies Around?
6/10
A man is caught on live national TV naked and drunk in the middle of the sacred Namahage festival, where men dressed in ogre-like costumes visit homes to scare kids into behaving during the next year. Tasuku, a young father, is ostracized for shaming the village and its tradition and flees to Tokyo alone. Two years later, he returns to his hometown to make it up to his ex-wife and their little daughter, only to find himself faced with a very difficult situation.
21st Century Girl
5.7/10
15 short films with an animated end-title sequence by young women directors born in late ‘80s to ‘90s.
The Last Three Times We'll Meet
6.9/10
A love story woven by a loveless mistrust girl, Kaede Tamaki who works for a small video production company, and a mysterious young man Seishiro who is attracted by her . Satomi Oshima and Kentaro Hagiwara, who also teamed up for the currently released movie "30 Minutes to Sayonara", were responsible for the script and directing, respectively.
Kamata Prelude
5.9/10
A four-part film done in the unique style of each director, Matusbayashi Urara gives a portrayal of a struggling actress named Machiko who lives in Kamata. Machiko is the central axis of the movie as the film comically depicts what it means to be a "woman" and an "actress" in society through showing the patterns of life as conducted by her and the people that surround her.
花束みたいな恋をした
See You on the Other Side
Consensual polyamorous relations between Hiroki, Natsuki, and Kanako are injected with palpable tension following their cohabitation, resulting in an unexpected turn of events.
