The best Keizo Kanie’s drama movies

Older, wiser but still a wandering loner, the blind, peace-loving masseur Ichi seeks a peaceful life in a rural village. When he's caught in the middle of a power struggle between two rival Yakuza clans, his reputation as a deadly defender of the innocent is put to the ultimate test in a series of sword-slashing showdowns.

When Muraki, a porn producer, watches a blue film depicting a gang rape in a school, he becomes obsessed with the lead actress. Quite by chance, whilst looking to reserve a location for a shoot, he happens to encounter her at a love hotel where she works as a receptionist. Her name is Nami and she reluctantly agrees to speak with him, and confesses that it was her in the film. Then, Muraki tells Nami that he wants to help her...

A rape victim realizes that she enjoys sexual assault and continuously offers herself to be raped while searching for her original rapist.

Iuemon is left master less after his master, Lord Asano, attempts to kill the treacherous Lord Kira and out of desperation and due to the extreme poverty he now lives in, poisons his wife Oiwa and marries the daughter of one of Lord Kira's men. This comes back, literally, to haunt him.

Fearless Edo-period police inspector Hanzo Itami, nicknamed The Razor, has developed his own unique way of extracting information for his inquiries. His first adventure sees him investigating his superior officer's mistress, whom he suspects of having ties with a reputed criminal on the loose.

Ginshiro, threatened by poor repute and upcoming star Tachibana, forces his friend Yasu to marry Konatsu, Ginshiro's pregnant mistress; Yasu becomes a stuntman to make ends meet.

Against the backdrop of the Edo treasury devaluing currency and driving many into poverty, Hanzo Itami enforces the law without regard to status. He shows inadequate respect to the treasurer, who wants him dead.

Hanzo extracts a confession from a ghost using his assaulting methods, foils thieves, connects with Heisuke Takei a friend from his youth, offers protection to a forward-thinking physician Genan Sugino who has defamed his ruler, discovers a pleasure ring of young wives and a blind music teacher, and cuckolds a corrupt official under his very nose.

When Sokichi stops providing his long-time lover Kikuyo enough money to pay for the care of their three young children, Kikuyo leaves the children with Sokichi - and his very surprised and angry wife Oume - and disappears.

Blind masseur and master swordsman Zatoichi finds a robbed and fatally wounded pregnant woman, whose baby he delivers before she dies. He takes the baby in search of its father and finds the child's aunt, who is about to be forced into prostitution for want of a payment the dead mother was bringing. Zatoichi determines to save the woman from her cruel fate.

In the 50s, the complicated life of a popular writer who must share his life with his family, his numerous mistresses and his work

Set in the Taisho era, which might be regarded as Japan's Hippie Phase, Hana no ran is a story about fashionable people without impulse control. Much of the action centers on a popular woman writer, the real-life poet Akiko Yosano, and her experiences among the literati of early 20th century Japan. Because of her independent, anti-war and often erotic poetry, she was a lightning rod for revolutionaries and other extremists, many of whom were destined to glamorous, yet ultimately pointless, deaths. The closest parallels might be the Byron/Shelley group or the people drawn to the Beat Generation.

A story of young students trained to become Kamikaze pilots in World War II.

Having been demoted for failing to prevent the murder of one of his superiors, Mondo is startled by a group of masked thugs who are soon attacked in turn by an unseen force. He begins to suspect the work of assassins, but whose side are they on?

A young teacher (Eiko Nagashima) is raped by students. She tries to resign but then decides to return and face the class.

Naomi is a university student who is leaving for the US to study in a week; Shuichi is a washed-up gumshoe who's hired by Naomi's father to bodygard his daughter until she leaves. Shuichi finds the job annoying and wants to quit. But he also has a screwed-up ex and alimony to pay. Things go from bad to worse when Naomi and Shuichi stumble upon a murder which might involve the yakuza. They decide to find out who committed the murder but God knows what it will lead to.

A murder investigation reveals a deep-rooted sibling rivalry in director Miwa Nishikawa's brooding family drama. On the one-year anniversary of his mother's death, Tokyo art and fashion photographer Takeru (Joe Odagiri) returns to his small hometown in order to pay his respects. But all is not well back home, and when Takeru's authoritative father questions his sincerity, the frustrated son strikes back with accusations of violent conduct. Though the situation is initially diffused by Takeru's older brother Moniru (Teruyuki Kagawa), who stayed behind to run the family business, tensions once again start to run high when Tekeru, Moniru, and pretty childhood friend Cheiko (Yoko Maki) decide to celebrate their reunion by taking a hike in the wilderness.