The best Keiko Matsuzaka’s movies

The eruption of Mt. Fuji in 1707 released hordes of demons from deep inside the earth. Sakuya, the young daughter of a samurai killed fighting these demons, accepts a mission to travel to Mt. Fuji and defeat the evil spirits. Accompanying her on her journey are two veteran warriors who served her father, and Tarō, a young kappa, or river spirit, whom she has adopted as her little brother. Along the way, the two warriors have doubts about Tarō’s loyalties, and the young kappa himself must decide if he will stand with his own species or with the humans who have cared for him.

The Katakuri family has just opened their guest house in the mountains. Unfortunately their first guest commits suicide and in order to avoid trouble they decide to bury him in the backyard. Things get way more complicated when their second guest, a famous sumo wrestler, dies while having sex with his underage girlfriend and the grave behind the house starts to fill up more and more.

A poignant love story between a 29-year-old woman, who has once been a prostitute but is now the mistress of a wealthy jewelry merchant, and a 19-year-old college student.

Ginshiro, threatened by poor repute and upcoming star Tachibana, forces his friend Yasu to marry Konatsu, Ginshiro's pregnant mistress; Yasu becomes a stuntman to make ends meet.

Set during World War II, the film follows a young brother and sister as they attempt to survive the aftermath of the firebombing of Kobe City.

Third movie in the Hissatsu (Sure Death!) Series. Chasing the killer of a lawman, a group of assassins fall foul of a group of blackmarket financiers who dispatch their own hitmen to dispose of them.

Photographer/filmmaker Yon Fan (Bishonen, Peony Pavilion) trains his celebrated eye on five disparate individuals in his controversial erotic drama Colour Blossoms. Teresa Cheung stars as a real estate agent drawn into a torrid - and sadomasochistic - relationship with a morose, stunningly beautiful Japanese photographer played by male model Sho. The two cavort in a luxurious apartment owned by an elegant upper-crust Japanese lady (Japanese diva Matsusaka Keiko), crossing paths with an infatuated policeman (Carl Ng), a mysterious Korean woman (Korean transsexual Ha Ri Su), and an increasingly tangled web of violence, criss-crossing passions, and lurid, unchecked desires. Prepare to immerse yourself in Yon Fan's controversial and delirious cinematic vision Colour Blossoms!

During the Late Tang Dynasty, a manor is invaded by a demon cat and a sense of unrest befalls the capital of Changan. A poet is charged with investigating the case and meets up with a monk. The two work together and pull apart the thread of clues to reveal a history of truths leading to the events.

The evil Hikita clan rises from the dead to fulfill a curse on the Satomi clan by restoring the face of their warlord by using the skin of Princess Shizu. In the process of trying to capture her, the clan murders her entire family, but Princess Shizu escapes their clutches. She enlists the aid of eight samurai warriors, possessors of powerful magic crystal, led by Dosetsu (Sonny Chiba!) to help rescue the remaining members of her court and revenge her family. Along the way, they must fight undead warriors, evil spirits, poisonous beauties and a giant centipede.

Takeshi Kitano plays a version of himself in which he's a struggling director cycling through a number of different genres in an effort to complete his latest project.

At the end of WWII, Japanese doctor Akagi searches for the cure for hepatitis in the prisoner-of-war camp.

Miho and Toshio, putting their children and household at stake, duel for control in their degrading, middle-aged marriage.

Kumokiri Nizaemon, a former samurai warrior, has abandoned his class to become the leader of a gang of thieves. He leads his outlaws in an attempt to rob the castle of his former clan.

In the 50s, the complicated life of a popular writer who must share his life with his family, his numerous mistresses and his work

Noriko had been engaged to marry Toshiyuki Fujimura, who worked at her father’s bank. One day however, Fujimura mysteriously disappears. From that day, Noriko keeps herself locked up in her room. After three years of Noriko shutting herself up like a doll without a soul, Fujimura suddenly returns. Noriko’s family’s first reaction was strong rejection, but Noriko asks no questions and embraces him warmly. One day, as Noriko is cleaning her husband’s room, three envelopes accidentally fall from the pages of one of the books she had picked up. The first letter is dated August 11th, saying that his wife had suddenly taken ill. The second, dated August 20th, says that his wife is now critically sick, and the third letter, dated September 1st, is an announcement of his wife’s death. The wife is obviously Noriko, but she is alive and well. Do the letters then mean a preliminary notice of Noriko’s death?

Garo: Soukoku no Maryu (lit. Blue Cries of the Demon Dragon) is the second film to the Garo series. The film serves as an epilogue after Makai Senki and leads up to The One Who Shines in the Darkness. The story continues after the events of Makai Senki. Having made a contract with Gajari, Kouga Saejima honors his end of the deal by traveling to the Promised Land to retrieve a part of Gajari: the Fang of Sorrow. After Kouga defeated Sigma, Gajari transported him to the Promised Land, however, his quest had unexpected results.

Real estate company employee Komachi and steelworks heir Kodama are both train aficionados. Their hobby proves useful for their burgeoning careers, but their romantic fortunes do not go as smoothly. Will the awkward Kodama and the indecisive Komachi find the loves of their lives?

The environment and the movie stars at a Japanese film studio in the early '30s are recreated in this drama that looks back on a distinctive period in cinematic history. Using celebrated director Yasujiro Ozu as a model, fictional director Ogata discovers a new female star quite by accident. Koharu Tanaka works selling candy at a studio theater when she is given a part as a bit player. After the studio's top leading lady is embroiled in a scandal, Koharu is suddenly thrust into the limelight when she replaces her in a film and gains instant fame and fortune. But the going is not always easy, and she soon seeks help from unexpected quarters.