The best Katja Alemann’s movies
If you love cinema, you will share this ranking of the best Katja Alemann’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Katja Alemann.
El Año del conejo
5.4/10
Raw Love
7.1/10
A portrait of the last days of high school. Two friends spend all day long together, but this will inevitably come to an end. A beautiful sincere story of mixed emotions and secrets that dare not speak loud.
Butoh
The German Friend
6.1/10
It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.
Seguridad personal
5.8/10
Buenos Aires, mid-1980s. Ledesma (Darío Grandinetti) is the driver and personal guard of "El Coronel" (Rodolfo Bebán), a mafioso with many contacts in power. He will be attracted to the beautiful woman of his boss (Katja Alemann).
Al filo de la ley
4/10
A couple of swindlers steals a hotel in Miami. Both are pursued by a security officer, you want revenge.
Ya no hay hombres
7.4/10
¿No es fino?
Pleasure cruise
Two married men make a short trip to relax
Las puertitas del Sr. López
5.8/10
A Paz é Dourada
6.9/10
Cemento: The Documentary
CEMENTO lived for nineteen years that spanned three key decades for the democratic history of Argentina. How much of relevance is the rock in this adventure of living in real democracy is difficult to estimate, but rock denounced, rock was containment, rock was a source of pride. Rock is culture and had a house where it developed, CEMENTO. We make CEMENTO - The Documentary - because we think that a people that forgets its milestones is a people destined to fail. We want to reflect in audiovisual format what CEMENT was, its origins, its facilities, the public opinion, its anecdotes and its imprint in the culture, narrated by musicians, producers and workers who gave it life.
La última mirada
Flores amarillas en la ventana
7.1/10
