The best Katherine DeMille’s comedy movies

Katherine DeMille

Katherine DeMille

29/06/1911- 27/04/1995
If you love cinema, you will share this ranking of the best Katherine DeMille’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Katherine DeMille.

Madam Satan

Madam Satan
6.3/10
Angela and Bob Brooks are an upper class couple. Bob is an unfaithful husband. Angela has a plan to win back his affections.

Belle of the Nineties

Belle of the Nineties
6.3/10
  • Genre: ComedyDrama
  • Release: 21/09/1934
  • Character: Molly Brant
Cabaret entertainer Ruby Carter shifts her operations to New Orleans and becomes exceedingly popular with the local men.

In Old Caliente

In Old Caliente
5.6/10
Americans come west to California in the hope of peaceful settlement. Roy and Gabby sing a duet: "We're Not Coming Out Tonight." Other songs include "Sundown on the Rangeland" and "Ride on Vaquero."

Girls About Town

Girls About Town
6.9/10
  • Genre: Comedy
  • Release: 07/11/1931
  • Character: Party Girl (uncredited)
A dynamic duo in silk and ermine entertain hick businessmen looking for a good time while in Manhattan.

Banjo on My Knee

Banjo on My Knee
6.2/10
A young husband leaves his river shantyboat community in Pecan Point, Tennessee and travels to New Orleans in search of his runaway wife.

All the King's Horses

All the King's Horses
5.4/10
Paramount Pictures decided in 1935 to create a new romantic team, thus cast singing stars Carl Brisson and Mary Ellis in the frothy operetta All the King's Horses. Brisson does the "Prisoner of Zenda" bit as a movie star who is forced by circumstances to impersonate a look-alike king. Ms. Ellis is the highborn lady who seems to be fooled by the ruse. The plots roll merrily onward while various and sundry musical-comedy character actors (including Edward Everett Horton and Eugene Pallette) fuss and fume in the background. Danish singer Carl Brisson had created a minor sensation by introducing "Cocktails for Two" in Paramount's Murder at the Vanities (34), but the studio's attempts to turn him into a Scandinavian Maurice Chevalier were unsuccessful.

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