The best Kaoru Kobayashi’s comedy movies
If you love cinema, you will share this ranking of the best Kaoru Kobayashi’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Kaoru Kobayashi.
Ghiblies: Episode 2
7/10
Ghiblies (pronounced with a hard "g" as in "gallop") is a short film aired during a TV special about Ghibli. It's about a fictional animation studio named "Ghibli" and the people who work there.
The Funeral
7.2/10
At the beginning of the film the father-in-law of the protagonist dies unexpectedly of a heart attack. The remainder of the film is episodic, moving from one incident to another over the course of the three-day funeral, which is held (as is customary) in the home. These incidents contrast old ways and new ways, young and old, ritual ceremony and true feelings, often comically, but sometimes with real poignancy.
Female
5.6/10
'Female' is comprised of five short films adapted from five novels by female authors. Directed by Shinya Tsukamoto, Tetsuo Shinohara, Ryuichi Hiroki, Miwa Nishikawa, and Suzuki Matsuo.
Boys on the Run
6.7/10
It’s not often that a coming-of-age story revolves around a 29-year-old chronic masturbator who still lives with his mom, but that’s just one example of the many ways Daisuke Miura's Boys on the Run is refreshingly atypical. The film is based on a manga by Kengo Hanazawa which was originally serialized in Shogakukan’s Big Comic Spirits from 2005-2008, and although the adaptation is fairly loyal visually, the overall tone has been changed both in how the characters behave and how the story arc is presented.
For Business
4.2/10
Two TV salarymen uphold their duty by taking on a rival talent agency during the late-'80s bubble economy.
Like Asura
7/10
The four Takezawa sisters discover that their father has an illegitimate child so they hire a private detective to investigate.
歓喜の歌
Chief Iizuka, who works at the Cultural Center, misunderstands two chorus groups with similar names and double-books the concert hall on New Year's Eve. Although they talk to each other, neither of them gives up a step and develops into a big problem. Iizuka, who has lived his life with a "no-nonsense" attitude, finds himself in the middle of two groups and at a loss for words.
Untamagiru
7.3/10
A magical realist story of the legendary Okinawan hero Untamagiru participating in efforts to form an independent Okinawa before the island was returned to Japan in 1972.
Paradise View
6.8/10
Go Takamine's first theatrical feature is a pioneering work of Okinawan cinema, filmed almost entirely in Okinawan dialect. Taking place shortly before the resumption of Japanese sovereignty over Okinawa, Takamine’s film tacitly addresses the island prefecture's complicated history of occupation and feelings of dislocation through the story of a small community and its preparations for a wedding between a local girl and a Japanese teacher. On the periphery of these events is Reishu (Kaoru Kobayashi), who quits his job on a US military base and uses the extra time to catch snakes and play with ants – and get the bride-to-be pregnant. Takamine’s leisurely-paced film is full of uniquely Okinawan touches that mix in aspects of the island's folklore, accompanied by Haruomi Hosono’s spare and evocative score.
Uneasy Encounters
7.1/10
A five-part comedy and horror anthology
