The best Eri Ishida’s movies

After saving the life of their heir apparent, tenacious loner Snake Eyes is welcomed into an ancient Japanese clan called the Arashikage where he is taught the ways of the ninja warrior. But, when secrets from his past are revealed, Snake Eyes' honor and allegiance will be tested – even if that means losing the trust of those closest to him.

Searching for escape in Tokyo's back alleys, a haunted English teacher explores love and lust with a dashing Yakuza, as their tumultuous affair takes her on a journey through the city's dive bars and three-hour love hotels.

A college student has an affair with a married, middle-aged teacher.

A young man living on growing tomatoes in a greenhouse in a residential area. Tomato cultivation is as doomed as his personal life where he tries to keep alive his romance with the eccentric Kaede and parents selected fiancee Ayako.

Kato is a small time TV producer. He has a wife Masako, and a young son Taro. Kato also has a friend Yamazaki who he knew since college. Yamazaki has a girl friend Riko who lives with her younger sister Yuko who's an actress. Yamazaki is a lyric writer/womanizer and he starts to have an affair with Masako, but he's still going out with Riko.

'Female' is comprised of five short films adapted from five novels by female authors. Directed by Shinya Tsukamoto, Tetsuo Shinohara, Ryuichi Hiroki, Miwa Nishikawa, and Suzuki Matsuo.

Hama-chan shows up to work with his son on his back when his wife goes to her class reunion and his mother throws her back out.

To protect his family from a mysterious being, a man joins forces with a journalist and an exorcist - but they come to learn what they are dealing with is beyond their imagination.

Hibi tells about mother who does pottery and lives rather simple life, growing her children up. She does remarkable job in pottery, finding a new way to make natural pottery in her own tunnel kiln. Then, her son gets leukemia. And entire family has to fight hard to find a donor who has matching bone marrow.

Su-San invites Hama-chan to go fishing at a place close to his heart after learning about Hama-chan and his wife's fertility problems.

Kenji, abandoned by his mother, scrapes out a meager existence doing odd jobs including driving bar hostesses and their customers home. Besides this he takes care of the sister of an old friend in jail and a young illegal immigrant. But his life reaches a turning point when he happens to meet Chiyoko, his long lost mother. She is now married to Mamiya, the owner of an express package delivery service. They also have a teenage son, Yusuke. Subdued feelings of alarm, discomfort and resentment between Chiyoko, Kenji, and his half brother Yusuke hide underneath and are seemingly caused by the inseparable blood ties that seem to wield control over everyone's destiny. Is blood that powerful? What exactly defines a mother or a father? While Kenji struggles with these questions and attempts to escape his fate, Chiyoko seems content to let these issues unfold and find a solution. Where will it ultimately lead them?

Hama-chan gets Su-san hooked on fishing, but Su-san has some problems to deal with; a beautiful woman saves Su-san when he collapses while fishing.

Suzumoto and Sumi creatively master their independent lives while living in a park in Nagoya. In contrast, a middle-class family is caught up in pressure and routine. The two threads of the story gradually intertwine, until a tragic escalation occurs. Shot with a black-and-white documentary feel, yet highly stylized, the film analyzes the contradictions and pathologies of modern society.

Set in the Taisho era, which might be regarded as Japan's Hippie Phase, Hana no ran is a story about fashionable people without impulse control. Much of the action centers on a popular woman writer, the real-life poet Akiko Yosano, and her experiences among the literati of early 20th century Japan. Because of her independent, anti-war and often erotic poetry, she was a lightning rod for revolutionaries and other extremists, many of whom were destined to glamorous, yet ultimately pointless, deaths. The closest parallels might be the Byron/Shelley group or the people drawn to the Beat Generation.

Hama-chan and his wife are ecstatic about their long-awaited pregnancy. Meanwhile, Su-san's nephew joins Hama-chan's department at the company.

Takashi and four of his classmates, fourth-grade students, cannot succeed in doing a back pullover around a horizontal bar. Their gym teacher warns them: they have one week to succeed; if they resign now, then, tomorrow, facing life difficulties, they will always run away and become bums. Furthermore, all five must succeed, if one of them cannot do it, then all of them fail. Takashi is really worried and wonders if he won’t be always the loser who couldn’t succeed in the back pullover bar exercise.

Two kids, fourteen-year-old Eriko and her thirteen-year-old brother Daigo, suddenly find themselves trapped in a parallel universe. Most things are the same as in their own world, but their parents are missing from home and are only contactable when using one particular phonecard. Based on a novel by the Akutagawa Prize-winning Fujino Chiya, and directed by the writer of Nakata Hideo's Dark Water.