The best Eri Ishida’s drama movies

Searching for escape in Tokyo's back alleys, a haunted English teacher explores love and lust with a dashing Yakuza, as their tumultuous affair takes her on a journey through the city's dive bars and three-hour love hotels.

A college student has an affair with a married, middle-aged teacher.

Kenji, abandoned by his mother, scrapes out a meager existence doing odd jobs including driving bar hostesses and their customers home. Besides this he takes care of the sister of an old friend in jail and a young illegal immigrant. But his life reaches a turning point when he happens to meet Chiyoko, his long lost mother. She is now married to Mamiya, the owner of an express package delivery service. They also have a teenage son, Yusuke. Subdued feelings of alarm, discomfort and resentment between Chiyoko, Kenji, and his half brother Yusuke hide underneath and are seemingly caused by the inseparable blood ties that seem to wield control over everyone's destiny. Is blood that powerful? What exactly defines a mother or a father? While Kenji struggles with these questions and attempts to escape his fate, Chiyoko seems content to let these issues unfold and find a solution. Where will it ultimately lead them?

To protect his family from a mysterious being, a man joins forces with a journalist and an exorcist - but they come to learn what they are dealing with is beyond their imagination.

Set in the Taisho era, which might be regarded as Japan's Hippie Phase, Hana no ran is a story about fashionable people without impulse control. Much of the action centers on a popular woman writer, the real-life poet Akiko Yosano, and her experiences among the literati of early 20th century Japan. Because of her independent, anti-war and often erotic poetry, she was a lightning rod for revolutionaries and other extremists, many of whom were destined to glamorous, yet ultimately pointless, deaths. The closest parallels might be the Byron/Shelley group or the people drawn to the Beat Generation.

Tadashi Imamura is a burglar who idolises Ozaki, a star baseball player he shares a birthday with. One day he realises their connection is much deeper than that and decides to find out more. Based on a short story by Kotaro Isaka.

'Female' is comprised of five short films adapted from five novels by female authors. Directed by Shinya Tsukamoto, Tetsuo Shinohara, Ryuichi Hiroki, Miwa Nishikawa, and Suzuki Matsuo.

A young man living on growing tomatoes in a greenhouse in a residential area. Tomato cultivation is as doomed as his personal life where he tries to keep alive his romance with the eccentric Kaede and parents selected fiancee Ayako.

Beautiful young Kinu Yamabe is drawn to low-born Onimaru, who's vital and charismatic, but viewed by his father as a demon, and by most of the remaining family as a stain to the family name. But after her first period, Kinu suffers the fate of any women born near the Sacred Mountain: she must leave the Mountain and serve as priestess But she has a plan to stay near her old home - which involves marrying into a rival branch of her family.

Hama-chan and his wife are ecstatic about their long-awaited pregnancy. Meanwhile, Su-san's nephew joins Hama-chan's department at the company.

A humorous wedding story fueled by a rather no-good father and son, disguised as the old and new “good guys.” The father Nobuo, and his son Tamio, are unable to mature, unable to break the parent-child roles, have no sense of responsibility, and keep holding on to the past. The pair is overwhelmed by all the colorful characters around them telling them what to do. They go to strenuous and humorous efforts to make Tamio’s wedding an event to remember.

Hama-chan shows up to work with his son on his back when his wife goes to her class reunion and his mother throws her back out.

Takashi and four of his classmates, fourth-grade students, cannot succeed in doing a back pullover around a horizontal bar. Their gym teacher warns them: they have one week to succeed; if they resign now, then, tomorrow, facing life difficulties, they will always run away and become bums. Furthermore, all five must succeed, if one of them cannot do it, then all of them fail. Takashi is really worried and wonders if he won’t be always the loser who couldn’t succeed in the back pullover bar exercise.

Commencing well-respected Nippon director Kazuo Kuroki's sixth decade behind the camera, "A Boy's Summer in 1945" (literally "A Beautiful Summer in Kirishima") is a lyric, novelistic drama set in the countryside in the last days before Japan's surrender ending WWII. Striking a welcome retro note in its languid pacing and delicate handling of seriocomic ensemble threads, handsome production is a natural for fests. It might also prove a cornerstone for retrospectives or ancillary releases of works by a helmer ("Preparation of the Festival," "Ronin-gai") who's long been appreciated at home but has won just limited attention abroad.

Shibuya, Tokyo. Yoichi and Michio are a pair of hoodlums who make their living as bookies at horse races. One day, Yoichi's companion commits a crime, which leads him to become a real yakuza. In this way Yoichi wishes to put an end to his hoodlum days, but on the other hand he has to leave his brother Michio behind...

Hibi tells about mother who does pottery and lives rather simple life, growing her children up. She does remarkable job in pottery, finding a new way to make natural pottery in her own tunnel kiln. Then, her son gets leukemia. And entire family has to fight hard to find a donor who has matching bone marrow.