The best Kaori Momoi’s drama movies
Today we present the best Kaori Momoi’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Kaori Momoi’s movies.
Memoirs of a Geisha
7.3/10
A sweeping romantic epic set in Japan in the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.
Kagemusha
7.9/10
Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.
Emperor
6.5/10
As the Japanese surrender at the end of WWII, Gen. Fellers is tasked with deciding if Emperor Hirohito will be hanged as a war criminal. Influencing his ruling is his quest to find Aya, an exchange student he met years earlier in the U.S.
Helter Skelter
6.4/10
Through round after round of extensive plastic surgery and vigorous maintenance, Ririko has become the absolute manifestation of beauty, and becomes a wildly successful model, actress, and singer. However, soon, her body, unable to withstand the burdens of surgery, begins to crumble, and along with it so does her mind, as she plummets towards a frightening and inevitable end.
Love and Honor
7.7/10
A look at the relationship between a young blind samurai (Kimura) and his wife, who will make a sacrifice in order to defend her husband's honor.
Izo
6/10
Izo is an assassin in the service of a Tosa lord and Imperial supporter. After killing dozens of the Shogun's men, Izo is captured and crucified. Instead of being extinguished, his rage propels him through the space-time continuum to present-day Tokyo. Here Izo transforms himself into a new, improved killing machine.
Swallowtail Butterfly
7.5/10
Swallowtail Butterfly takes place in an alternate Japan, in a ghetto where immigrants from all over the world have come to live and make their fortune. The city is called Yentown, and it is much like Tokyo. Sixteen-year-old Ageha, a young girl whose mother has just died, is passed on from person to person until a prostitute named Glico finally takes pity on her. Under Glico's care, Ageha has many experiences with the other poverty-stricken immigrants in Yentown. Eventually, due to a sudden twist in fate, the immigrants are given a chance to realize their dreams. But in doing so, they destroy their solidarity, and have to face their problems separately.
The Yellow Handkerchief
7.3/10
Three complete strangers embark on a road-trip to Hokkaido.
Why Not?
6.8/10
The film depicts carnivalesque atmosphere summed up by the cry "Ee ja nai ka" ("Why not?") in Japan in 1867 and 1868 in the days leading to the Meiji Restoration. It examines the effects of the political and social upheaval of the time, and culminates in a revelrous march on the Kokyo, which turns into a massacre. Characteristically, Imamura focuses not on the leaders of the country, but on characters in the lower classes and on the fringes of society.
The Sun
7.3/10
Biographical film depicting Japanese Emperor Shōwa (Hirohito) during the final days of World War II. The film is the third drama in director Aleksandr Sokurov's trilogy, which included Taurus about the Soviet Union's Vladimir Lenin and Moloch about Nazi Germany's Adolf Hitler.
Suspicion
7.1/10
A car going at 25 mph plunges into the sea at Shinko Harbour, Toyama prefecture. Inside is the local business magnate Fukutaro Shirakawa, who perishes. Riding alongside him and surviving unhurt is his second wife, Kumako. It soon comes to light that Kumako’s husband was insured for 300 million yen and she is arrested on suspicion of murdering her husband for the insurance money. The newspapers denounce her as an evil woman, while the public is in no doubt about Kumako’s crime. Ritsuko Sahara is chosen as her defence attorney but the pair clash over almost everything...
Like a Rolling Stone
6.3/10
Tanaka is a yakuza who collects 'protection money' from establishments. He has just been released from jail, where he had spent eight years, and finds out that his boss wants to get rid of him. Tanaka is not an archetypal yakuza; he travels by public transport. But he does have two mistresses: Ayumi, who runs a nightclub, and Yoshie, a brothel-keeper. When Tanaka's boss ends up in hospital, second man Kurauchi exerts increasing pressure on Tanaka. Tanaka deliberately has himself wounded by a fighter to dodge several of Kurauchi's demands.
The Brightest Roof in the Universe
6.4/10
Tsubame (Kaya Kiyohara) is a 14-year-old girl. She has a crush on university student Toru (Kentaro Ito), who lives in the same neighborhood. Tsubame lives in a warm environment with her father Toshio (Hidetaka Yoshioka) and stepmother Asako (Maki Sakai), but, one day, she learns that Asako is pregnant. She feels left out because of her stepmother's pregnancy and she also feels frustrated because she can't reveal her love to Toru. The rooftop of her calligraphy class is the only place where Tsubame can find solace. There, she feels the wind and looks up at the stars. One night, Tsubame goes on the rooftop as usual. She finds a strange kickboard scooter and a mysterious old woman Hoshi-baa (Kaori Momoi) appears in front of her.
The Youth Killer
6.8/10
Though his parents help him run the family business, Jun still feels persecuted by their love; when they bar him from meeting with his girlfriend, tensions increase.
Dance, Subaru!
6.1/10
Subaru and her twin brother Kazuma share a dream in becoming ballet dancers, but their passion is discouraged by their father. After Kazuma's death from a hereditary illness, dancing became Subaru's only happiness and she yearns to lose herself in dance. Her life takes a dramatic turn when she runs into cabaret owner Isuzu, who recognizes the talent in Subaru and trains her in her nightspot. But to become a professional ballerina, Subaru has to overcome harsher challenges than merely satisfying the cabaret drunkards. Spurred on by her rivaling dance companions, Subaru enters an international dance competition, to vie for recognition and a scholarship to any top ballet company in the world. Subaru and her companions soon discover that there are more to compete than the championship, and tests of friendship, betrayal and self-worth come one after another. Gradually the youngsters learn about themselves as dancers, as persons and as friends.
Tokiwa: The Manga Apartment
6.6/10
There still stands a famous apartment building where such prominent manga artists as Tezuka Osamu, Shotaro Ishinomori and Fujio Akatsuka once lived, worked, and shared experiences.
The Yen Family
6.6/10
Set in Japan during the bubble era, this unique home comedy cheerfully and humorously depicts the daily life of a strange family that works together to accumulate a small amount of money, while mixing irony and satire.
Sweet Scent of Eros
4.9/10
Yukie, Koichi and Akira are rogues looking for a place to crash. They move into a house which Etsuko (Kaori Momoi) inherited from her parents. Soon after getting settled, the hippies slip into a communal lifestyle. They eat, have sex, and generally share everything together.
Tomorrow
7.4/10
On August 9, 1945, the Americans dropped an atomic bomb on Nagasaki. This film, based on a story by Mitsukaru Inoue, describes the daily life of people in Nagasaki the day before that fateful event. It presents the human drama of people's lives, and their feelings of joy and sadness. These include a newlywed couple, an expectant mother, and lovers who must say farewell because the boy is called to serve in the army. Each of these people, like others in the city, hoped to live with their dreams for ‘tomorrow’. But tomorrow never comes for them, as their lives are brought to an abrupt and unexpected end. Knowing how the story ends, in this case, doesn't detract from it at all; rather, it enhances the emotional impact, which is further heightened by the poignant musical score from Teizo Matsumura. 'Ashita' is the first film in Kazuo Kuroki's 'War Requiem Trilogy,' which also includes 'Utsukushii Natsu Kirishima' (2002) and 'Chichi to Kuraseba' (2004).
No More Easy Life
6.9/10
Mariko is living the life of a typical Japanese college student in the 70's, spending far more of her time balancing boyfriends and part-time jobs than on her schoolwork. She finds herself torn between a former boyfriend who's the tough, insensitive-but-sexy, type, and a new acquaintance who's more sensitive to her feelings, but who still acts childishly selfish at times. Will she choose one of them, or decide to go her own way?
