The best Kazuko Shirakawa’s movies
If you love cinema, you will share this ranking of the best Kazuko Shirakawa’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Kazuko Shirakawa.
Dawn of the Felines
5.5/10
A story of three escort girls living in Ikebukuro, Tokyo. They work at the same escort service while feeling lonely in their urban lives.
Vengeance Is Mine
7.7/10
A thief, a murderer, and a charming lady-killer, Iwao Enokizu is on the run from the police.
After Life
7.6/10
On a cold Monday morning, a group of counselors clock in at an old-fashioned social services office. Their task is to interview the recently deceased, record their personal details, then, over the course of the week, assist them in choosing a single memory to keep for eternity.
Black Rain
7.8/10
Shigematsu Shizuma lives with his senile mother, his wife Shigeko, and his niece Yasuko in a village near Fukuyama. He, his wife, his niece and his close friends in the village were present at the atomic bombing of Hiroshima. The Shizumas look for prospective husbands for Yasuko, but find that the families withdraw on finding out she was at Hiroshima.
Ichijo's Wet Lust
5.3/10
Ichijo Sayuri, once the legendary queen of Osaka strippers, has retired to run a sushi shop. She is awaiting her day in court after having been arrested for indecency at her farewell performance. While she was active, she was both the rival and the model for many young strippers. Harumi was one of them. Ichijo Sayuri was the real-life queen of Osaka strippers who was arrested on her final performance.
The Devil's Path
6.6/10
Death-row inmate Sudo (Pierre Taki) sends a letter to magazine reporter Fujii (Takayuki Yamada). In his letter, he states that a man named Kimura (Lily Franky), also known as "teacher," committed numerous murders for insurance money. While checking out the story, based on Sudo's tip, Fuji becomes convinced that the letter is correct. But, a lot of time has passed from the incidents and Sudo's testimony isn't clear. Due to the persistance of Sudo, who is a former yakuza, and Fuji, the police begin to move.
Radiance
6.4/10
The story follows the social intercourse between a cameraman, Masaya, with a visual impairment, and Misako who disconnects from the world.
The Family Game
7.2/10
A sendup of the stereo-typical Japanese family: dad is a salaryman jerk, unable to relate to anyone; mom is a hopeless housewife; the older son is a moderate academic success; but the younger son is a rebellious goof-off for whom a tutor must be hired. The tutor, played by the prototypical bad-boy actor Matsuda Yusaku, proceeds to blow the entire family apart.
Apartment Wife: Affair In the Afternoon
6.6/10
A working-class housewife is sexually unsatisfied by her husband. When she seeks extramarital relationships, her affairs are discovered by a brothel-owner who then blackmails the woman into working as a prostitute for her.
Netorare Sosuke
6.1/10
Koji Wakamatsu adapted the Kouhei Tsuka's play of the same name into a human comedy about the members of a traveling acting troupe.
The Stairway to the Distant Past
6.8/10
Broke, his vintage Nash convertible repossessed, private eye Mike Hama is reduced to combing the mean streets of the Yokohama waterfront on a borrowed bicycle. But when Lily, a beautiful stripper from out of Hama's past, returns to town, the fuse is lit on a criminal powder keg set to blow the lid off the Yokohama underworld.
Why Not?
6.8/10
The film depicts carnivalesque atmosphere summed up by the cry "Ee ja nai ka" ("Why not?") in Japan in 1867 and 1868 in the days leading to the Meiji Restoration. It examines the effects of the political and social upheaval of the time, and culminates in a revelrous march on the Kokyo, which turns into a massacre. Characteristically, Imamura focuses not on the leaders of the country, but on characters in the lower classes and on the fringes of society.
The Youth Killer
6.8/10
Though his parents help him run the family business, Jun still feels persecuted by their love; when they bar him from meeting with his girlfriend, tensions increase.
Housewife's Afternoon Delight
5/10
Sayaka is a sexually frustrated housewife whose husband rarely talks and is always busy with work. But she soon finds an antidote to her loneliness and boredom in the form of a door-to-door salesman in this erotic drama.
Someday, Someone Will Be Killed
5/10
While trying to search for her missing father, Atsuko Moriya (Noriko Watanabe) meets a group of outcasts that help her. Having only an encrypted disk in her possession and while being chased by unknown people, Atsuko tries to solve the mystery of her family origins...
Cannonball Wedlock
6.4/10
24-year-old OL Chie Ikeshita's (Yuriko Yoshitaka) motto is to try various things to enjoy life. Chie spends her time accordingly to her motto. Chie Ikeshita then starts to date 5 different men and adjusts herself to the different situations. Up to this point, Chie never thought about marriage. She changes her thought after her friend Toshiko Hamaguchi (Anne Watanabe) gets married. Chie takes the advise of Toshiko and decides to marry one of the 5 men. She must now whittle down her choice to one man.
The Nineteen-Year-Old's Map
7/10
A 19-year-old newspaper delivery boy begins collecting information on the households in his neighborhood and keeping a journal of why he doesn't like them. Declaring himself a 'right-winger' and calling in bomb threats against the neighbors he doesn't like, the 19-year-old begins a war of psychological terror against the families in his neighborhood.
I Will Never Forgive
6.1/10
A psychological drama about the consequences of a 15 year old girl's gang rape.
That's roman porno: megami-tachi no hohoemi
4.8/10
The Wild Daisy
6.2/10
Saito Masao reminisces on the days of his youth more than 50 years ago and his forbidden love of his older cousin Tamiko. When he was 15, Tamiko moved in to take care of his sickly mother. The two quickly fell in love with each other but were inevitably forced by their family to live separate lives.
