The best Kamand Amirsoleimani’s movies
Today we present the best Kamand Amirsoleimani’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Kamand Amirsoleimani’s movies.
Nocturnal
A young woman tries to deal with the insight that her brother is dying. Shabnam is a photographer and sister of a famous war photographer, Hamed. Just before she goes to a party, she is told that the brother has been injured and is in hospital. Shabnam is dragged into a series of strange events, where the boundary between rus and reality is blurred. The debuting feature film directors are also film and art critics in Iran, Bonakdar himself artist - hardly surprising given the film's strong image awareness. It also has to be overlooked with the bit-wise banal depictions of cocaine scrambling and dangerous men.
Sheyda
6.3/10
Farhad has lost his eyesight due to an injury sustained in battle. As part of his recovery, he is transferred to a temporary hospital, where he encounters young nurse Sheida. Sheida is surprised by his tolerance to the pain of his injury, but soon realises that her recitation of Quran verses has a miraculous calming effect on him. And as the two start to grow closer and Farhad begins to heal, they find themselves on the path between faith and hope, and the true nature of both is revealed to them.
Red
6.4/10
Hasti, a widowed nurse who has a daughter, marries a paranoid wealthy man.
From Afar
5.6/10
"From Afar" traces the malaise of a young artist and intellectual in three episodes: Book Burning, Breathing and Dawn. The Young protagonist lives in contemporary Tehran and he appears as a film student, an asthmatic businessman and a successful architect. In each story, he journeys toward a spiritual insight or emotion.
Pastarioni
4.4/10
A story of food. When his father's restaurant is bankrupted, Hooshan decides to offer Beryani, an Isfahani cuisine, as the main dish.
The Death Story of Sohrab
6.7/10
A minstrel named Kamous is standing before Rostam. One out of many stories he has recited for people is: What befell Sohrab with Rostam. Rostam believes that the story the minstrel is narrating-- the Tragedy of Sohrab, is inverted, gone astray and wrongful. And he questions the minstrel "why?"
Here, with Rostam questioning the minstrel another story begins which is the opening of our narrative.
