The best Hedie Tehrani’s movies

A collective film of 33 shorts directed by different directors about their feeling about cinema.

On the day before their holiday trip to Dubai, a wife who believes her husband is unfaithful enlists the help of Roohi, a young woman sent by an agency to clean the house. She asks Roohi to make an appointment and gather information at the salon of the woman she suspects. Roohi is betrothed, innocent of marital discord. Over the course of the day, she, the couple, their small son, the wife's sister and husband, and the beautician engage in a series of exchanges, confrontations, and prevarications. Are the wife's suspicions unwarranted; is her behavior imperiling her marriage? Acts of kindness may go awry. And the trip to Dubai?

Kaveh Nariman is a Doctor in the medical examiner's office. One day at his work he meets a corpse which is very familiar to him.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

Mamo, an old and legendary Kurdish musician living in Iran, plans to give one final concert in Iraqi Kurdistan. After seven months of trying to get a permit and rounding up his ten sons, he sets out for the long and troublesome journey in a derelict bus, denying a recurring vision of his own death at half moon. Halfway the party halts at a small village to pick up female singer Hesho, which will only add to the difficulty of the undertaking, as it is forbidden for Iranian women to sing in public, let alone in the company of men. But Mamo is determined to carry through, if not for the gullible antics of the bus driver.

It's about a family that has the opportunity to solve the mother's problem one night.

Danesh works in a barbershop and dreams about becoming an actor. Manfered is an agent who would introduce Danesh to a famous director if he collects enough long hairs to be used as wigs. At the same time a series of murders have worried everyone. Who is the killer and is the barbershop in any way related?

Director Bahman Farmanara's second film following a 20-year exile from his native Iran depicts the spiritual crisis of a middle-aged man. In the film's dreamlike opening scene, Dr. Reza Sepidbakht (Reza Kianian), a well-off Tehran gynecologist, thinks he runs over an angel while driving home at night with a call girl. The next morning at the hospital where he works, he is shown a comatose boy who is famous for having memorized the entire Koran. These two events cause him to rethink his cynical outlook on life and his relationships with his elderly father, wayward son, and the women he has mistreated since becoming estranged from his wife. When the boy awakens from his coma, Dr. Sepidbakht begins to look to him for answers.

A tough-as-nails farm contractor proves she can compete, against unfair odds, with male competitors and lead her crew of female workers on northern Tehran’s largest orange harvest.

On the eve of his first show, rock musician Siavash (Ali Ghorbanzadeh) makes a pilgrimage to the grave of his late father, killed during the Iran-Iraq War. But soon thereafter, a friend reveals that Siavash's father is still alive, a POW being held in Tehran. With the help of his girlfriend (Hedyeh Tehrani), Siavash struggles to make sense of the news. Saman Moghadam wrote and directed this portrait of young Iranians in the aftermath of war.

When Mahi's son dies in a car accident, Behrouz who has returned to Iran to sell his properties, attends the funeral. Their old romance catches up while Behrouz has planned to marry Sara and go back to Canada with her.

Hamed and Sepideh are not in a relationship anymore; they parted ways and the college years in which they watched movies together are just a far-off memory. Hamed has pursued his passion for music, he has recently released his first album and has been married for a year with a music instructor, Minoo. Sepideh has become an English teacher for preschoolers and is now wed to a builder, Massoud, who ironically can’t seem to build a solid marriage. In spite of everything, Hamed hasn’t forgotten about Sepideh yet and, when she goes back to their hometown, Minoo encourages her husband to meet her and clear his mind about what he really wants. With the collusion of a long time friend who owns a stationer, Hamed orchestrates an accidental meeting with Sepideh, in the attempt to find out more about her current life and, at the same time, to put himself to test.

Yasaman Pakravan, a wealthy woman, has paid his husband, Sadegh, 10 Million Tomans to convince him of divorcing her. However, Sadegh continues to harass her and ask her for more until she is forced to hire a lawyer, Ehsan Daneshvar, to make her divorce legal. But before they can meet ...

A remote village has not had a previous boom for years. Residents have either been forced to migrate or are in poverty and misery, but the village has a new guest. But the village has a new...

Diba and Siamak with the help of a young couple Nader and Roya decide to steal from a wedding ceremony. They steal some jewelry and escape but the cops are after them.

Hasti, a widowed nurse who has a daughter, marries a paranoid wealthy man.

Unruled Paper is a 2002 Iranian film directed by Naser Taghva'i, based on an original script by Naser Taghva'i and Minoo Farsh'chi. The film was produced in 2001 by Yekta Film.