The best Hedie Tehrani’s drama movies

A collective film of 33 shorts directed by different directors about their feeling about cinema.

Kaveh Nariman is a Doctor in the medical examiner's office. One day at his work he meets a corpse which is very familiar to him.

On the day before their holiday trip to Dubai, a wife who believes her husband is unfaithful enlists the help of Roohi, a young woman sent by an agency to clean the house. She asks Roohi to make an appointment and gather information at the salon of the woman she suspects. Roohi is betrothed, innocent of marital discord. Over the course of the day, she, the couple, their small son, the wife's sister and husband, and the beautician engage in a series of exchanges, confrontations, and prevarications. Are the wife's suspicions unwarranted; is her behavior imperiling her marriage? Acts of kindness may go awry. And the trip to Dubai?

Mamo, an old and legendary Kurdish musician living in Iran, plans to give one final concert in Iraqi Kurdistan. After seven months of trying to get a permit and rounding up his ten sons, he sets out for the long and troublesome journey in a derelict bus, denying a recurring vision of his own death at half moon. Halfway the party halts at a small village to pick up female singer Hesho, which will only add to the difficulty of the undertaking, as it is forbidden for Iranian women to sing in public, let alone in the company of men. But Mamo is determined to carry through, if not for the gullible antics of the bus driver.

Zamane and Saeid are neighbors. Despite their own arrangements to get married, their families are against this marriage. Zamane’s family’s reason for this opposition, especially her father’s, is the fact that Saeid is a disabled veteran who is on the wheelchair. Zamane, who’s had enough of her family’s strict behavior, offers Saeid to run away with her and then get married, but he doesn’t accept that.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

When his business partner is hurt in a car accident, happily married Mahmoud (Fariborz Arabnia) must travel to Tehran, where he falls for the beautiful Sima (Hedye Tehrani). The two agree to a "temporary marriage," but problems arise when Sima doesn't want the arrangement to end. Sima's reluctance to play her expected role in this common Islamic practice soon turns to obsession in this smash hit from Iran.

Unruled Paper is a 2002 Iranian film directed by Naser Taghva'i, based on an original script by Naser Taghva'i and Minoo Farsh'chi. The film was produced in 2001 by Yekta Film.

In his last moments Mr. Baheri gives his janitor Mr. Koohsari a small piece of land but his sons are after that piece of land. Soltan who is a thief, pick pocketing the janitor's daughter ...

Hamed and Sepideh are not in a relationship anymore; they parted ways and the college years in which they watched movies together are just a far-off memory. Hamed has pursued his passion for music, he has recently released his first album and has been married for a year with a music instructor, Minoo. Sepideh has become an English teacher for preschoolers and is now wed to a builder, Massoud, who ironically can’t seem to build a solid marriage. In spite of everything, Hamed hasn’t forgotten about Sepideh yet and, when she goes back to their hometown, Minoo encourages her husband to meet her and clear his mind about what he really wants. With the collusion of a long time friend who owns a stationer, Hamed orchestrates an accidental meeting with Sepideh, in the attempt to find out more about her current life and, at the same time, to put himself to test.

A remote village has not had a previous boom for years. Residents have either been forced to migrate or are in poverty and misery, but the village has a new guest. But the village has a new...

A tough-as-nails farm contractor proves she can compete, against unfair odds, with male competitors and lead her crew of female workers on northern Tehran’s largest orange harvest.

Domestic drama charting the course of a self-effacing Iranian couple as their ordered lives begin to fracture under the strain of work commitments, money troubles and the responsibility of family. Mitra and Nima are struggling to make ends meet, their relationship in desperate need of rekindling. But when Mitra's sister Maryam shows up on their doorstep, on the run from her estranged husband, their lives are tipped over the edge by the ensuing scandal. As Mitra and Nima reflect on their own lives and take sides against one another, events will come to a head as the weight of disloyalty begins to unravel a once perfect relationship.

Donya is a young, attractive single woman who has just returned to Tehran from abroad. She seeks the help of Hadji Reza Enayat, the conservative and stern owner of a real estate agency, to look for a house. We sense that she has an ulterior motive but that motive will not surface until the end of the movie. She puts on the charm and Hadji falls head over heels in love with her and proposes marriage despite being already married to a loving and pious wife. Awkward and funny situations develop as he tries to keep his affair secret from his family.

While racing with her car a young girl Mahtab has an accident with a Taxi driver Arastoo. This lead them both to involve in more troubles and romantic adventures and know each other more.

A young woman tries to deal with the insight that her brother is dying. Shabnam is a photographer and sister of a famous war photographer, Hamed. Just before she goes to a party, she is told that the brother has been injured and is in hospital. Shabnam is dragged into a series of strange events, where the boundary between rus and reality is blurred. The debuting feature film directors are also film and art critics in Iran, Bonakdar himself artist - hardly surprising given the film's strong image awareness. It also has to be overlooked with the bit-wise banal depictions of cocaine scrambling and dangerous men.

It's about a family that has the opportunity to solve the mother's problem one night.

Yasaman Pakravan, a wealthy woman, has paid his husband, Sadegh, 10 Million Tomans to convince him of divorcing her. However, Sadegh continues to harass her and ask her for more until she is forced to hire a lawyer, Ehsan Daneshvar, to make her divorce legal. But before they can meet ...